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Jorge Luis Morejón

Dr. Jorge Luis Morejón is versed in theater, opera, dance and performance and has a Bachelor’s degree in Special Education from Florida International University and a Master’s degree in Liberal Studies from University of Miami. He studied Expressive Arts Therapy at the European Graduate School, Switzerland and did doctoral work at York University, Canada. He has a Ph.D. in Performance Studies from the University of California, Davis.  Currently, he is Lecturer and Dance Coordinator at the University of the West Indies, Trinidad and Tobago.

 

Dreaming in Cuban
Essay

Dreaming in Cuban

Cuban Theater & The Miami School

25 September 2014

Despite profound decentering from its source, Cuban theater has had a consistent representation in Miami. Mirrored by a repertoire of embodied theatrical practices, Cuban theater constitutes an important system of knowing and transmitting knowledge about Cuban culture. Using its own positioning, these epistemologies, in conjunction with actor’s training have gone unrecognized; yet, they have survived expatriation in the midst of divergent perspectives on both how to perform theater as knowledge, as well as how to generate knowledge through theater. Sainetes (or one- act farces), musical comedies, zarzuelas, and serious dramas in particular, are the fabric of this historically and culturally specific communicative process. Overall, the retention of the art form and the formation and maturity of Miami’s exiled actors has depended on the Cuban modern theater performed in exile.