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Shebana Coelho

writes and dances solo plays and facilitates creativity workshops

“subsé pehlé, en la oscuridad, the animal left the sea, found the shore, loved the cave, and became song, tree, stone dance” (from the good manners of colonized subjects’)

originally from India, currently in New Mexico. My solo plays are made of poetry and dance. I really believe in the power of our collective imaginations. Which is why I love to facilitate workshops to create together. In what I create, there is a reckoning - of all we have lost to oppressive systems and beliefs - and a reclaiming - of memories, myths, fire, voice. So we can create new worlds of nuance and empathy, one by one, all together. 

Plays presented at the Pan Asian Repertory Theatre's NuWorks festival (New York), The Arts at Marks (Honolulu, Hawaii), University of Cadíz (Spain), American Samoa Community College, A:shiwi Tribal College (New Mexico) and Kenmare Butter Market (Ireland). Read more at shebanacoelho.com 

A woman in traditional Indian attire sitting on the floor holding her hand in front of her.
Essay

Exploring the Source and Mystery of Performance Energy

9 June 2025

Shebana Coelho reconnects with G. Venu, Sanskrit theatre practitioner and teacher of the Navarasa Sadhana workshop that changed her life. The two talk about this ancient theatrical practice, how it has manifested in both of their lives, and Venu’s journey to teaching this practice.

Essay

Dispatch from the Youth Theater Festival in Ramallah, Palestine—Part Two

19 July 2014

In a volatile, war-torn place, things change quickly and recurring issues of conflict, occupation, and survival dominate—all the more reason to have festivals like this and theaters like Ashtar that persist under such circumstances and create transformative experiences.

An exercise from the Youth Theatre Festival.
Essay

Dispatch from the Youth Theater Festival in Ramallah, Palestine—Part One

2 July 2014

In 2012, eleven young theater students succeeded in starting Ashtar’s first youth festival. Ashtar Theatre, which was founded in 1991 by Iman Aoun and Edward Muallem, describes itself as “a dynamic local Palestinian theatre with a truly progressive global perspective.” Their core programs are drama training of local youth through an extracurricular after school program, Theater of the Oppressed Forum Theatre productions that explore “essential critical topics in Palestinian society” and international collaborations.

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