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Valerie Curtis-Newton

Currently the Head of Performance - Acting and Directing at the University of Washington School of Drama, Valerie serves as the Artistic Director for The Hansberry Project, a professional African American theatre lab. She has previously served as Artistic Director of both Seattle's Ethnic Cultural Theatre and Hartford's Performing Ensemble, Inc. and worked with Actors' Theatre of Louisville, Alabama Shakespeare Festival, Intiman Theatre, Seattle Children's Theatre, The Mark Taper Forum, New York Theatre Workshop, Tacoma Actors' Guild, Southern Repertory Theatre, Capitol Repertory Theatre, and Northwest Asian American Theatre among others. Her credits include the premieres of Constance Congdon's The Midwife's Apprentice and Kia Corthron's The Venus De Milo Is Armed and Slide Glide The Slippery Slope as well as productions of Crumbs from the Table of Joy, Flight, The Colored Museum, Combination Skin, Wedding Band, Spell #7, Zooman and the Sign, Porcelain, Joe Turner's Come and Gone, Neat, Santos & Santos, Stevedore, Chain, and Hiro.

Valerie was a participant in the National Endowment for the Arts/Theatre Communications Group (TCG/NEA) Career Development Program for Directors in 1997-1999 and in 2001 she received the Stage Directors and Choreographers Foundation's (SDCF) Gielgud Directing Fellowship. Valerie holds a BA from Holy Cross College, an MFA in Directing from the University of Washington and is a member of the Society of Directors and Choreographers (SDC).

A still from Fathers And Sons.
Emerging from the Crucible

Emerging from the Crucible

11 March 2013

Valerie Curtis-Newton writes about her experience at The Hansberry project, and the neccessity of producing black artists.