Chris Garza covers the Mu Performing Arts production Eric Sharp’s play, Middle Brother which tells the story of an adoptee searching for his roots in Korea.

Chris Garza reviews Theatre Unbound’s Silkworms (a nun play) and takes a look into the director Isabel Nelson's devising process.

Chris Garza reviews Muy Very Authentico, from the Minneapolis based collective Theatre Forever. Garza shares his skepticism the production as it balances between absurdity/satire and offesnive misrepresentation.

Parhelion, a play about false starts and disappointment, marks a very promising beginning for Little Lifeboats in Minneapolis as their inaugural production.

Chris Garza visits The Visit staged in rural Minnesota, and reflects on how immersive theater invites audiences complicity in a play about mob psychology, vengance, and greed.

Chris Garza covers the 2013 Minnesota Fringe Festival and reports back on its selection lottery, aesthetics, and discusses some of the 42 performances he saw.

Chris Garza discusses Intermedia Arts and Freestyle Theatre’s recent production about the politics of skin in the United States, which makes the audience question the validity in saying the US is a “post-racial” society.