Latinx Theatre

Gabriel Augusto Liparini Queiroz sits down with Adilson Siqueira, Aneliza Rodrigues Prado, and Patrick Veniali da Silva to discuss their work at the Laboratory of Ecopoetics (ECOLAB) at the Federal University of São João del-Rei. They share their research on the concept of the corpo quebrada—literally the “bent body”—which responds to ecological crisis by embodying resilience and flexibility.

Onisajé shares the creative process of Teatro Preto do Candomblé, which trains actors using the rituals and liturgy of Candomblé as a method of actor training. Through immersion in this African diasporic religion, Teatro Preto do Candomblé’s methods center reciprocal relationships with the environment and activate individuals’ connection to their Blackness.

In Martin Domecq’s contribution to the Climate Emergency series, he puts four Brazillian performance art pieces in conversation to draw upon the poetic, political, and civic lessons they offer. These performances—which range from installations to solo and group performances—model possible paradigms that work against ecological crisis.

Elizabeth Doud introduces the Climate Emergency series, which looks to Brazilian artivism for reparative paths forward in the face of climate change.

The Latinx Theatre Commons (LTC) announces the 2022 LTC Comedy Carnaval, June 9-11, 2022 in Denver, Colorado. The convening is hosted by Su Teatro Cultural & Performing Arts Center. …because the past two years have been so rough that we gotta ducking laugh 🦆

María Regina Firmino-Castillo discusses the inspiration behind and implications of Lukas Avendaño’s Xibalbay, a multidisciplinary performance project that relates enduring stories of the Mayan underworld to contemporary forced disappearances of people in Mexico.

Join us in welcoming Jacqueline, our new Latinx Theatre Commons Producer!

Manuel Muñoz reflects on Virginia Grise’s adaptation of Their Dogs Came with Them, which took place in fall 2019 under the colossal concrete freeway ramps of the I-10 freeway that dissect South Tucson from the edge of the Sonoran Desert.

Priscilla Solis Ybarra reflects on her experience watching Virginia Grise’s a farm for meme at home, during the pandemic, with her eighty-two-year-old mother whose life shares parallels with the story in the play.

Viviana Vargas shares what it’s been like transitioning their Bogotá-based arts, culture, and healing storefront, Balistikal, into an online space during the pandemic./Viviana Vargas comparte cómo ha sido la transición de su espacio físico en Bogotá, de arte, cultura y sanación, llamado Balistikal, a un espacio en línea durante la pandemia.

Kar Eleggua Luna Olokun Laverde talks about the relationship between state, culture, and art in Colombia; the effects of COVID-19 on resistance communities; cultural organizations that empower marginalized communities through art; and more. / Kar Eleggua Luna Olokun Laverde Sanjuan habla sobre la relación entre estado, cultura y arte en Colombia; los efectos del COVID-19 sobre las comunidades en resistencia; organizaciones culturales que empoderan comunidades marginadas a través del arte; y más.

Cris Tengono talks about how, thanks to the pandemic, a virtual artistic world has begun to develop in Colombia—one of infinite possibilities and without borders, where nationalities do not matter—and shares some of the work that has come out of it.

Michelle Yemayá notes that while Colombian theatre artists have found ways to face the unexpected changes this year, artists are still struggling to stay afloat. She talks about how she has adapted her practice under the circumstances and shares the stories of three other artists living and working as artists in Colombia right now. / Michelle Yemayá ha notado que, si bien los artistas del teatro colombiano han encontrado formas de enfrentar los cambios inesperados de este año, la lucha por mantenerse a flote es constante. Habla sobre cómo ha adaptado su práctica a las circunstancias y comparte las historias de otras tres personas que en este momento viven y trabajan como artistas en Colombia.

In the intro article to the Colombia series, Carl(os) Roa, a Latinx artist from Philadelphia who made art in Bogotá last year, poses the question “What are the ways in which Colombia’s arts communities are just as fragmented as those in the United States” and shares how uplifting it has been to watch artists in the Bogotanx theatre community adapt to new realities brought on by the pandemic.

Carla Della Gatta offers strategies and considerations for theatremakers who are looking to create bilingual or semi-bilingual renditions of the canonized classics.