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Cori Thomas

Cori Thomas is an award-winning playwright and screenwriter. Produced plays: Lockdown; When January Feels Like Summer; Citizens Market; My Secret Language of Wishes; Pa’s Hat and more. Produced and Developed at: WP Theater; Rattlestick Theater, Playwrights Horizons, Page 73, Ensemble Studio Theatre; City Theater Co. Pittsburgh; The Goodman Theater; Pillsbury House Theater; Mixed Blood; Horizon’s Theater, Mosaic Theatre Co.; and others. She has won the American Theater Critics Osborn Award; Edgerton Foundation Prize; Was a 2017 runner up for The Dramatist Guild Horton Foote Playwriting Award; is a two-time Theodore Ward Prize winner. Cori is the Mellon Playwright in Residence at WP Theater; and a New Dramatists Resident Playwright. She has been awarded Fellowships at O’Neill National Playwrights Conference; Sundance Theater Lab; MacDowell Colony; Bogliasco Foundation; Baryshnikov Arts Center; Djerassi and more. Film and TV Projects include: Original screenplay for HBO Films and Tribeca Productions; JuVee Productions; and more. Cori is presently co-writing the memoirs of Sex Trafficking victim Sara Kruzan for Knopf/Random House. Founder: The Pa’s Hat Foundation a501c(3)in 2012. Pa’s Hat is an organization focused on helping former child soldiers and other marginalized citizens of Liberia, West Africa with educational and work-related assistance. Ongoing volunteer at San Quentin State Prison with the anti-violence program No More Tears. Board of Directors: of New Dramatists, Pa’s Hat Foundation, Project FEEL, and No More Tears SQ. Coriis represented by Leah Hamos and Vernalis Co at The Gersh Agency, Kirsten Jacobson at Good Fear Content; Eve MacSweeney at Fletcher and Co.

A woman wearing white stands on stage in front of projections of different words.
Four Playwrights from the United States on Working in European Theatre Cultures and Economies 
Essay

Four Playwrights from the United States on Working in European Theatre Cultures and Economies 

29 August 2024

Cori Thomas convenes playwrights based in the United States for a roundtable discussion about working internationally. They parse the differences in new play development and theatregoing cultures in Germany, Italy, the United Kingdom, and the Czech Republic.

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