Eleanor Regan finds during her study abroad experience that theatre that interrogates a subject actively and presents a real viewpoint gives the audience the most to chew on.

Highlighted by Scotland’s possible independence, Regan sifts through the idea of how debate can be brought on by political theatre.

From her time being in a country the size of Michigan that brews narratives of local experiences, Regan wonders about the United States ability to cultivate plays that reflect local area’s stories.