fbpx mglassman | HowlRound Theatre Commons
Matthew Glassman

Performer / Theatre Maker / Organizer
Executive & Artistic Director of The Chocolate Church Arts Center 
Founder & Director of The UnNameable Children's Project

Matthew Glassman is a father, actor, writer, and director of original, ensemble theatre.  You can find him thriving in spaces devoted to embodied theatre training, performing on stage, and co-creating with his host of long-time collaborators. Glassman animates connections between the realms of imagination with the becoming of community, the unfolding of dreams, the awe of the natural world, and building grass-roots movements toward systemic change. Currently, he is serving as the Executive & Artistic Director of the Chocolate Church Art Center in Bath, Maine. Housed in a former Church built in 1847, he is stewarding a long-term vision of a community art center presenting and creating rad work in a small ship-building town on the coast of Maine, where he also lives with his family. He is also the founder and Director of the UnNameable Children’s Project, which, modeled after Black Mountain College, offers a theatrical laboratory for children 7-18 years old. 

From 2000-2022, Glassman was an Ensemble Actor and Co-Artistic Director of Double Edge Theatre, in Ashfield, MA. During that time, he co-created and performed in dozens of outdoor spectacles and indoor performances that toured to major art centers (Kennedy Center, Arena Stage, Meyerhold Center) and rural, urban, and far flung communities around the world. In that time he also contributed greatly to the long-term model of artistic sustainability of The Farm, Double Edge’s rural and international center for art and culture. Glassman also created the Art & Survival (directing and co-curating from 2014-2019)--a biennial convening of artists and activists researching the inner workings of artistic practice and its impact on culture and movement building. 

Underlying all his work is the belief that art is intrinsic to the health and happiness of a community. 

For years, Glassman was the Visiting Lecturer of Theatre and Dance at Trinity College, an advisor for LISC/ NEA Our Town Program, and the Community Foundation of Western Mass' Valley Create Program. He has served on the Board of Directors for Art of the Rural Board and on the HowlRound Advisory Council. He has been published in TDR and Howlround, was awarded the Mary Lyons Spirit of Adventure Award for Education, and was nominated for the Doris Duke Impact Award, the US Artists Award and the Johnson Fellowship for Artists Transforming Communities. 

A promotional graphic for MicroCosmos.
Essay

On Reshaping Relations

5 March 2025

Interdisciplinary artists and producers Jennie Hahn and Sharon Mansur are connecting performance and community through their work in Indigenous-settler relations and Arab American artist communities, respectively. In this MicroCosmos encounter, they consider the practices and experiments at the heart of their work.

A promotional graphic for MicroCosmos.
Essay

Surviving, Sustaining, and Grieving in Place

3 March 2025

Liza Bielby and paris cyan cian are in Detroit and New Orleans, respectively, building the worlds they want to be in. They discuss their work in performance collectives, connections to community, and the places and relationships that undergird their work.

A promotional graphic for MicroCosmos.
Essay

Artists Unfolding New Futures in Tiny and Hidden Realms

24 February 2025

The MicroCosmos project convenes artists who venture into the inner dimensions of artistic practice to be in dialogue and right relation with the outer context in which we live. In this introductory encounter, the project's co-curators surface the micro in their own practice.

A man carrying a torch stands on top of a small stone tower.
Essay

Arts, Culture, and Commoning: A New/Old Path to Collective Transformation

14 March 2022

In their introduction to the Arts, Culture, and Commoning series, curators Jamie Gahlon and Matthew Glassman apply the concept of the commons to theatremaking as a practice and illuminate the potent intersection of these ideas.

An illustration of a woman in a green dress holding a stick up to a circular light above. She is surrounded by plenty of these lights, each connected by lines.
Essay

Commonplaces

Notes on a Future That Has Already Happened

28 June 2021

Matthew Glassman shares his commonplace—a collection of quotes, poems, reflections, dreams, doodles, images, and more, and a portal to reach forward to our future selves and for our future selves to reach back to us.

A group of theatre artists sitting around a conference table with a projector screen in the background.
Essay

The Promise of the Commons

10 October 2019

In honor of World Commons Week 2019, a working group of eleven US-based arts and cultural makers share their vision on how adopting a commons-based approach can help transform the arts into a more equitable and just field.

Essay

Creating Cultures

Double Edge on University Campuses

29 October 2014

What we really needed—and received—was a place to develop an unfinished work in a professional touring locale with Chicago audiences, and to prototype a student chorus that would be trained to perform in the work. Simultaneously Columbia College had the Double Edge ensemble embedded in its department for nearly a month. Acting students had daily access to training. Directors, playwrights, and actors could observe rehearsal and process regularly.

Podcast

Friday Phone Call # 52

Matthew Glassman & Amrita Ramanan of Double Edge Theatre

14 March 2014

Listen to weekly podcasts hosted by David Dower as he interviews theater artists from around the country to highlight #newplay bright spots. This week: Matthew Glassman and Amrita Ramanan of Double Edge Theatre, located in Ashfield, Massachusetts.

Essay

Growing a Living Culture

17 October 2012
A promotional graphic for Bridge Between Realities.
Podcast

Re-sensitizing to Place in Site-Specific Performance

20 January 2026

How can theatre artists enter a space as outsiders and create work there in a way that does not fall into our habits of colonialism and consumerism? In this episode, Tara and Martin sit down with Wanda Strukus and Matthew Glassman at Chocolate Church Arts Center in Bath, Maine.

A promotional graphic for MicroCosmos.
Series

MicroCosmos

This series looks to the ways artists tap into those inner dimensions to be in dialogue and right relation with the outer context in which we live.

Series

Arts, Culture, and Commoning

This week-long series of essays and conversations uplifts approaches to theatremaking that find confluence with the framework of the commons.

List

Best of 2021

Matthew's best of 2021 list, created as a year-end wrap up!

Subscribe to HowlRound

Sign up for our daily, weekly, or quarterly emails so you never miss the latest theatre conversations.

Sign me up

Support HowlRound

We fundraise to keep all our programs free and open and to pay our contributors. Thank you to all who make our work possible!

Donate today