Ricky Young-Howze writes about why people with invisible disabilities might be wary to disclose that information.

In this final installment, Ricky Young-Howze reflects on self-producing new work in a “theatre desert,” and acknowledges the importance of learning, wisdom, and respect.

In this installment, Ricky Young-Howze discusses the importance of having archival footage of new work, which serves as a historical document.

In this installment, Ricky Young-Howze discusses the importance of choosing the right venue for productions.

Ricky Young-Howze writes about one of the simplest ways staff members can make the theatre an accessible and welcoming environment to people of all abilities.

Ricky Young-Howze writes about Neil Simon’s influence on pop culture comedic tropes.

In this installment, Ricky Young-Howze discusses the complex nature of producing and shares what he learned about the art of delegation. 

Ricky Young-Howze talks with actor Ali Stroker about changing people’s perceptions about performers with disabilities.

In this installment, Ricky Young-Howze discusses his experience marketing his play Last Hope for Twenty Miles, and what he learned for future reference.

In this installment, Ricky Young-Howze discusses the difference between a flameout and burnout, and shares his experience dealing with both in his former company.

In this second installment, Ricky Young-Howze shares a lesson he learned while wearing multiple hats in his theatre company.

In this first installment, Ricky Young-Howze shares his experience of starting his own not-for-profit theatre company and offers advice.

Ricky Young-Howze challenges theatre companies to rethink the conventional aesthetic of silent audiences and find creative ways to accommodate audience members with invisible disabilities.

Playwright Ricky Young-Howze shares his experience working in theatre with invisible disabilities.