Playwright Star Finch sits down with AeJay Mitchell to discuss their time working as a creative culture consultant on Star’s play, Josephine’s Feast. Together they explore how AeJay’s role functioned as a “river in the room,” a fluid space held for the artists to address their human needs beyond the limitations of the Equity, Diversity, and Inclusion (EDI) framework.

Star Finch and Ellen Sebastian Chang, friends and artistic collaborators in the Bay Area, have a conversation about their local theatre scene’s recent but long overdue racial reckoning, scraping together a creative life, the institutionalization of artists, and more.

Playwrights Star Finch, Psalmayene 24, and J. Nicole Brooks chat about Black playwrights on Broadway, and what being produced there represents to them.

When Campo Santo decided to film their production of Star Finch’s Side Effects early in the COVID-19 pandemic, they were embarking on a creative journey that felt entirely novel and a little overwhelming. In this conversation, the production’s directors discuss development of the production’s aesthetic and the generative process they embarked on at the intersection of “film” and “play.

Star Finch sits down with artistic director of Crowded Fire Theater Mina Morita and co-founder of Campo Santo Sean San Jose to discuss their innovative idea to collaborate for the National Playwright Residency Program.