Tebere Arts Foundation presented the conversation African Diaspora: Shaping the Future of African American Performance with The Stories Women Carry: Creative Practice of African Women from the Continent livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Monday 17 May 2021 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 8 p.m. EAT (Nairobi, UTC +3).
How does your work target specific communities and empower them to tell their stories? What is it like working with students from the African diaspora in conjunction with students of color who are American? What is the value of in person workshops and physical movement in ensemble building?
Guest: Monica Ndounou
Dr. Monica White Ndounou is an Associate Professor of Theater and the founding Executive Director of The CRAFT Institute which convenes The International Black Theatre Summit and administers the Pay-It-Forward All-Career Level Mentorship Program along with various initiatives designed to create culturally inclusive ecosystems throughout the world of arts and entertainment by transforming formal training and industry practices while promoting equitable access. She is also the past President of the Black Theatre Association (BTA) (2016-2018), Vice President of Advocacy for the Association for Theatre in Higher Education (ATHE) (2019-2021) and serves on the board of The August Wilson Society. She is a founding member of the National Advisory Committee of The Black Seed, a national strategic plan to create impact and thrivability for Black theater institutions and initiatives.
“The Stories Women Carry: Creative Practice of African Women from the Continent”
The Stories Women Carry is a Web Series that highlights the work of African women in different fields of theatre on the continent. The 6-episode season features leading writers, poets, directors, producers and interdisciplinary theatre-makers who will share their artistic practices and methodologies. There is an increase in conversations about non-Western methods of theatre-making across the continent and beyond. In the spirit of uncovering an African dramaturgy and its application in various fields of theatre from the creation of new work to arts management, these leading practitioners from Uganda and Kenya will share their insights in each episode.
Each episode will invite one female guest, or a collective to speak on a specific topic, related to their personal practice. American Sign Language and Kenyan Sign Language interpretation will be available for this series.
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