Black Theatre

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Philana Imade Omorotionmwan is writing to save her body and spirit from a world that seems hell-bent on destroying them. She sits down to share how her dream of premiering The Defiance of Dandelions became a reality.

Join us for a talk with Caribbean theatre director Gilbert Laumord (Guadeloupe) discussing his latest work, Tale of Black Histories (Histoire de nègre), by the late, legendary Caribbean writer, poet, and philosopher Édouard Glissant. Born in Martinique, writer Édouard Glissant and his colleagues at the Institut Martiniquais d’études (IME) wrote and performed this intellectually rich, formally innovative, yet long-neglected unique play themselves in 1971–72.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Join us for a conversation celebrating the unique anthology and latest Segal Center Publication, New Plays from the Caribbean, a most significant and lasting part of the 2019 Caribbean Theater Project ACT (Actions Caribéennes Théâtrales)—initiated and co-organized by the Martin E. Segal Theatre Center in New York City, the theatre company SIYAJ from Guadeloupe, and Stéphanie Bérard.

Playwright Brian Egland and an invited member from the community cover important themes that are present during Where The Suga Still Sweet.

Featuring monologues by HBCU college students. The HBCU Theatre Summit is for Black theatre students as they navigate the world of the arts.

Playwright Brian Egland, sits down to share how his dream of premiering Where The Suga Still Sweet became a reality.

Keynote speech delivered by actor Doug Spearman (Noah's Ark). The HBCU Theatre Summit is for Black theatre students as they navigate the world of the arts.

A pre-show discussion featuring playwright M.D. Schaffer and an invited member from the community as they cover important themes that are present during Drapetomania.

M.D. Schaffer (they/they) is a queer, non-Binary, African American writer born in Houston, Texas and currently residing in New York City. Their previous works include F***in’ Howard Phillips with the JaYo Theatre Company, Hotel On Fremont at The Lewis Center for the Arts, and A Rodeo Clown with the Obsidian Theatre Festival.