Livestreamed on this page on Monday 29 April 2019 at 1:00 p.m. PDT (San Francisco) / 3:00 p.m. CDT (Chicago) / 4:00 p.m. EDT (New York).
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Harry Newman’s Dry Time
at the Martin E. Segal Theatre Center
The Martin E. Segal Theatre Center in New York City presented a reading of Harry Newman's Dry Time livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Monday 29 April 2019 at 1:00 p.m. PDT (San Francisco) / 3:00 p.m. CDT (Chicago) / 4:00 p.m. EDT (New York).
There is no video archive available for this event.
4:00pm Reading | 6:30pm Panel
Heat. The sun bearing down. People in line for food, for water at temporary camps. Elsewhere, a party, as if nothing’s changed in the world. A novelist is being celebrated. Set against a background of environmental collapse and economic crisis in the Midwestern US, Dry Time explores the personal and social consequences of intensifying climate change in an increasingly authoritarian society. Conceived as a narrative symphony, each scene is two scenes that overlap and play out simultaneously, revealing the contrasts and connections of those most affected by environmental events (mainly in patrolled encampments) and those largely untouched by events in their private homes. What happens when they come together?
Written in the early 1990s, Dry Time is most likely the first global warming related play. Considered too distant, abstract, and forbidding at the time, it now approaches realism. Informed by the original UN Intergovernmental Panel on Climate Change report and other studies, Dry Time builds on the impacts of climate catastrophe already apparent and takes them to an unflinching conclusion.
Harry Newman’s plays include The Occupation, Dry Time, The Dark, and a translation of Patrick Süskind’s The Double Bass, and have been presented at the Contemporary American Theater Festival, The Public Theater, BACA/Downtown, the Guggenheim Works & Process series, and other theaters around the U.S. as well as, most recently, in Germany. Widely published as a poet, his work has appeared in Ecotone, Rattle, Asheville Poetry Review, and The New Guard, among many other journals. In 2016, a collection of his political poetry, Led from a Distance, was published by Louisiana Literature Press. Before working in theater, Harry studied Chemistry and Mathematics at MIT. More information is available at www.harrynewman.com.
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