New York

Dorota Masłowska is a Polish writer, playwright, and journalist and the recipient of the prestigious Polityka Prize for her debut novel Wojna polsko-ruska pod flagą biało-czerwoną (Snow White and Russian Red, Grove Atlantic), published when she was just nineteen years old. The book garnered massive critical acclaim in Poland. Since then, she has written several novels and plays and has become a celebrated literary figure in Poland.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for an evening with the PhD students from the theatre department and others at the GC CUNY to share, reflect, and discuss findings, resources, and questions that arose in three years of research during the time of COVID for the student anti-racism committee. Topics will include theory and pedagogy, history and practices, plays, anti-racism trainings, CUNY resources, and outside organizations and resources.

Join us for an evening remembering the late professor of theatre, author, and translator Marion Peter Holt, professor emeritus (theatre, Graduate Center, and Spanish, College of Staten Island). Marion helped to spread knowledge of Catalan and Spanish drama throughout the United States and the world.

Join us for a screening of Reza Abdoh’s extraordinary site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure.

Join us for a Zoom talk with author and curator Florian Malzacher to discuss the upcoming Segal Center publication The Art of Assembly: Political Theatre Today. The Art of Assembly surveys theatre today to demonstrate its political potential in both form and content.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for an evening celebrating the work of Linda Chapman and James C. Nicola at the legendary New York Theatre Workshop. In their thirty-four-year run, Linda and James, at the 199-seat East Village theatre, gave birth to hundreds of important theatre works including Tony-winning best musicals Rent, Once, and Hadestown, as well as What the Constitution Means to Me and Slave Play.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for a Whole Earth Conversation with Andreas Weber (Germany) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for a Whole Earth Conversation with Frédérique Aït-Touati (France) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.

Join us for a Whole Earth Conversation with Thomas Oberender (Germany) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.

The City We Make Together looks at how we make art with communities, how we perform power and who gets to play which roles, and how we might use creativity and rigorous inquiry to look at our structures of democracy anew. Published by University of Iowa Press, 2022.

In advance of McDermott’s upcoming New York Premiere of Tao of Glass at NYU Skirball, they discussed McDermott's work and career, Improbable’s work with Open Space Technology, and McDermott’s long-term collaborations with Philip Glass.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Poems, songs, and play excerpts from Brecht about war, refugees, and singing about dark times are mixed with writings from Heiner Müller about theatre, America, capitalism and the end of revolutions.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Artist and writer Cory Tamler holds the container, editing together her memories of her own experiences as a participant in parliament, excerpts from conversations with Kliën and from his personal archive, theoretical propositions for the way parliament could go to work in the world, and reflections from other participants in parliament over the years.