Bridge Between Realities

How can ensemble training influence theatre culture and grow capacity? In this episode, Tara Khozein and Martin Boross sit down with theatre director and Wilma Theatre co-artistic director Yury Urnov and director, performer, choreographer, and playwright Suli Holum after a HotHouse session with the ensemble.

How do our own needs inform and drive our work with community? In this episode, Tara Khozein and Martin Boross sit down with theatre artist Jeremy Louise Eaton and journalist Graham “GG” Griffith at Chocolate Church Arts Center after Memory Bath, a multidisciplinary site-specific theatre piece on place memory.

How can theatre artists enter a space as outsiders and create work there in a way that does not fall into our habits of colonialism and consumerism? In this episode, Tara and Martin sit down with Wanda Strukus and Matthew Glassman at Chocolate Church Arts Center in Bath, Maine.

What's the point of entering the rehearsal room without a plan? In this episode, Tara Khozein and Martin Boross are joined by Apollo Garcia Orellana and Sandy Timmerman to talk about approaches in devising, the importance of being lost, and why they prefer to work without a playwright in the room.

What makes us want to immerse, and what makes us want to flee? Tara Khozein and Martin Boross sit down with Hope Orange and Diana Delgado at q-Staff theatre in Albuquerque right after their residency and public showing of Dwelling, an immersive theatre event on the theme of home.