Alex Ates looks at how the Free Southern Theater established a model of artmaking and activism in the South in the '60s and considers how the New South is primed for another generation of civic action artmaking. 

Corey Bradberry’s theme and production considerations for staging Moby Dick for a contemporary audience in the deep South.

Carlton Turner's address on the state of the arts in Mississipi from the Mississipi Performing Arts Summit, held February 15-16, 2015 in Jackson, MS. 

Dan O'Brien interviews Beth Henley about her play The Jacksonian, and what it means to be a playwright from the American South.