Using Sarah Cameron Sunde’s 36.5 / A Durational Performance with the Sea, Dr. Una Chaudhuri articulates protocols for endurance—through performance, connection, and action—as we face the rising tide of climate emergency.
Collaborating artist visionaries reveal cyberspace as a realm of ritual, to reimagine the future
Thursday 18 / Friday 19 June 2020
Wellington, NZ
Toasterlab presented I.F. : Indigenous Futurities : Dancing Earth in CyberSpace livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 18 June 2020 at 3:30 p.m. HST (Honolulu, UTC-10) / 6:30 p.m. PDT (San Francisco, UTC-7) / 8:30 p.m. CDT (Chicago, UTC-5) / 9:30 p.m. EDT (New York, UTC-6) / Friday 19 June at 10:30 JST (Tokyo, UTC+9) / 13:30 NZST (Wellington, UTC+12).
Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.
Massey University presented the Climate Change Theatre Action event Still Waving—a series of readings and performances—livestreamed on the global, commons-based peer produced howlround.tv network on Monday 23 October at 2 p.m. NZDT (Wellington, UTC +13) / Monday, October 23 at 12 p.m. AEDT (Sydney, UTC +11) / Monday, October 23 at 9 a.m. SGT (Singapore UTC +8) / Monday, October 23 at 2 a.m. BST (London, UTC+1) / Monday, October 23 at 01:00 UTC / Sunday, October 22 at 9:00 p.m. EDT (New York, UTC -4) / Sunday, October 22 at 6 p.m. PDT (Los Angeles, UTC -7).
As part of the Theatre in the Age of Climate Change, playwright and educator Elspeth Tilley discusses the benefits of bringing collaborative creative activism into the classroom.
Contributors share final reflections on the attraction of prison theatre workshops. They explore the importance of being seen in all one’s complexities and discuss how imagining the world on stage manifests a vision for the real world. Finn and Jan affirm their workshop experience together.
This episode takes a closer look at the interplay of particular participants and group dynamics in the workshops. They get to know each other by making theatre together and empathize with people from radically different circumstances. Jan and Finn begin a slow courtship. The drama club becomes a safe space for Mama Glo.
