Video Archive

In this session, we start with a conversation about why we do this before jumping into the easiest and free-est steps you can take.

How do we understand sponsorship, fundraising, and corporate partnerships within the art and creative space in Africa?

Leaders of the festival scene discuss how they program, curate, design, and produce New York's iconic and important festivals. Come learn more about how to get your work produced!

What are the peculiarities of doing arts administration in Africa, and how might potential administrators prepare for such a role? 

The Segal Center welcomed Professor Joseph Roach to discuss the new edition of Jonas Barish's 1981 text The Antitheatrical Prejudice and the impact it has had on theatre and performance studies.

Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.

This evening gives artists, teachers, and audience members a chance to learn more about the role of affinity space actor training, what it can achieve, and why it is critical against the backdrop of widespread efforts to end—even punish—initiatives for diversity, equity, and inclusion. 

AZÚCAR: New Reading Festival is a celebratory evening introducing the festival’s dynamic lineup of new plays by Afro-Latinx playwrights. 

Art as First Responder: Co-Designing Place, Memory, and Justice in New Orleans is a conversation presented by The OverFlow, an evening of networking, entertainment, and special guests to mark the We Will Dream Festival’s grand opening. 

At this year’s Spring Summit, the A.R.T./New York team shared early findings from the data project, Health and Wealth: Supporting NYC Theatremakers through Data and Insights.