I have been traveling a lot for playwriting things, like workshops, readings, rehearsals, and so on. I’m super lucky to get to do it, and grateful for the opportunities, but traveling for playwriting gigs can be hard.
Unlike most jobs that require travel, there’s rarely any type of reimbursement when you travel as a playwright. Workshop and reading opportunities are often unpaid or only offer a small stipend, and when you add onto that travel to another city, housing, food, and missing your day job, it’s the financial equivalent of going on a really stressful vacation. This means that when a playwright travels they’re really betting on the experience being not only useful and enriching, but more fun than paying their rent on time.
When a playwright travels they’re really betting on the experience being not only useful and enriching, but more fun than paying their rent on time.
A few weeks ago, in a fit of self-advocacy fatigue, mourning a reading that was too expensive to attend, and cursing myself for spending money on trips where I felt used or ignored, I dashed off a list of things organizations can do if they can’t afford the travel costs associated with bringing an artist from out of town. I posted it on Twitter, thinking that only my best playwriting friends would see it, commiserate, and encourage me to take the high road, delete the post, and in the future not be so petty on the internet. My playwriting friends were not quick enough; a lot of people saw my list, which read:
- Pick me up from the airport/train station etc. Offer to get me to any rehearsals. After rehearsals make sure I have a ride back to my Airbnb hovel.
- Re: Airbnb Hovel, ask around if one of your non-creepy theater friends has a guest room I can stay in for free. I might say “No thanks” because the person you think is non-creepy actually kind of is, but I will appreciate the attempt.
- Buy me a meal, a drink, a coffee, a scone, etc. I don’t even really like scones because they are rock pastry, but if you buy me one while I’m in a strange city feeling disoriented and vulnerable and almost certainly hungry, I will gratefully crush that scone.
- Suggest some interesting things I can do while killing time in your city outside of rehearsal. Offer to drop me off at a museum or meet me for lunch somewhere. You do not even have to pay, you just have to talk to me about things other than whatever project we are working on.
- Be upfront about the things you can offer me from the list above from the first email. Don’t make me ask if there is a scone budget. I will not. I am a serious artist.
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