Playwright Abraham Johnson reflects on the 2018 Lambda Emerging LGBTQ Voices Retreat, and the importance of supporting emerging Queer playwrights.

Playwright Lauren Gunderson offers other writers lessons on dramatic structure, building characters, and crafting a powerful ending.

Playwright Lauren M. Gunderson add to her video series "Why Theatre?" by discussing why theatre still matters in the age of filmed storytelling.

Nate Eppler shares how Ingram New Works Lab in Tennessee is helping playwrights build a creative home that both feeds the soul and the stomach.

Alexis Frasz and Holly Sidford assess the first round of the Andrew W. Mellon Foundation's National Playwright Residency Program, co-administered by HowlRound.

Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.

Michael Wright discusses how his playwriting residency program WomenWorks is helping tackle the underrepresentation of female playwrights in the US. 

Meet the staff of one Bay Area theatre company and see how their lives, jobs, and homes interact and affect the artistic ecology of the Bay Area.

Playwright Kirsten Greenidge and her family travel to feminist historical landmarks around New England.

Rehana Lew Mirza and Mike Lew document their first year as parents and Playwrights-in-Residence at Ma-Yi. 

Playwright Melinda Lopez and Charles Haugland discuss the ins and outs of the Huntington Theatre Company’s Playwriting Fellows program, and how it can serve as a model for other companies looking to fill a need in their communities. 

Huntington Theatre Playwright in Residence Melinda Lopez talks with Director of New Work Lisa Timmel about the company’s new play development program and practicing generosity.

Andrew Saito, participant in the Djerassi Playwrights Initiative, speaks to his experience at the residency.

Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.

Lauren Gunderson shares a video of her teaching a playwriting class on dialogue and asks the question: why theatre?

Kirsten Greenidge reflects on the playwright's relationship to this unruly moment of cultural shift and what happens to one’s work when the world around us is changing so rapidly?  

Ralph B. Peña offers advice to those looking to diversify their theatre companies and productions.

Adventure Stage Artistic Director Tom Arvetis and Playwright in Residency Carlos Murillo discuss how Carlos’ perspective has affected the company’s goals and operations.

Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.

Dramaturg Maria Patrice Amon interviews Playwright Herbert Sigüenza about his comic influences, and Manifest Destinitis, his adaptation of Molière’s The Imaginary Invalid.

Rachel Bonds writes about her residency at Ars Nova.

Chisa Hutchinson writes about her residency at Second Stage.