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Ayshia Stephenson

Scholar, Intimacy Director, Writer

Dr. Ayshia E. Stephenson is a director, playwright and award-winning poet from Brooklyn, NY. She is the Co-founder and Executive Director of Performing Fusion Theatre in Boston, whose mission is to promote multiculturalism through the integration of art forms. With an MFA from the California Institute of Arts and a PhD in Communication from the University of Massachusetts Amherst; Ayshia uses media and performance to investigate human rights, race and sexuality. Her critical and creative work have appeared in Black Camera, Qualitative Inquiry, Boston University Press, Open to Interpretation, Imaginary Friends Press, A Gathering of the Tribes, International Review of Qualitative Research, and is forthcoming in Research and Drama Education. She has directed productions at the UMass Amherst Fine Arts Center, Eggtooth Productions, The Arts Block (Greenfield, MA), Jewel Box Theatre in NYC, Arts at the Armory, Davis Square Theatre, and The Rockwell (Somerville, MA). She is Associate Professor and Chair of the Communication Department at Bunker Hill Community College in Boston, MA. https://www.ayshiastephenson.com/ https://www.performingfusiontheatre.com/

Livestreaming a Conversation: Confessions of a Black Intimacy Director with Dr. Ayshia
Video

Livestreaming a Conversation: Confessions of a Black Intimacy Director with Dr. Ayshia

Subtitle

A talk on Black sex, Black bodies, and Black love led by Dr. Ayshia Stephenson

Monday 15 March 2021
United States
One Love: A Racial Justice Theatre Workshop with Dr. Ayshia
text one love on black background
Video

One Love: A Racial Justice Theatre Workshop with Dr. Ayshia

Subtitle

One Love pedagogy, a racial justice method for teaching and learning theatre

Monday 22 February 2021
United States
two actors onstage with five actors' shadows behind them
Remembering The Death of the Last Black Man
Essay

Remembering The Death of the Last Black Man

On How Black Theatre Is Essential

5 October 2020

Dr. Ayshia E. Stephenson revisits the 2016 Signature Theatre production of The Death of the Last Black Man in the Whole Entire World, which she believes stands as a testament to why Black theatre matters and is essential to resisting white supremacy.