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Basil Kreimendahl

Basil Kreimendahl is a resident playwright at New Dramatists. Basil is under commission from Oregon Shakespeare Festival's American Revolutions Cycle. Their play Sidewinders won the Rella Lossy Playwright’s Award and had its world premiere at The Cutting Ball Theater in San Francisco. Orange Julius was developed at the 2012 O’Neill National Playwrights Conference and will have its New York premiere this year at Rattlestick as a co pro with P73. Basil was commissioned by Actors Theatre of Louisville for Remix 38 at the 2014 Humana Festival of New Plays. Basil’s plays have also been developed by New York Theatre Workshop, About Face Theatre, Inkwell, Rattlestick, WordBRIDGE, The LARK, and The Oregon Shakespeare Festival. Basil has been a Jerome Fellow and is a current McKnight fellow. A recipient of an Arts Meets Activism grant from the Kentucky Foundation for Women for theatre work with the trans community in Louisville, Basil has taught playwriting to elementary, high school, and college students, founded and ran a playwrights group for queer youth in Louisville called Out On The Edge, and was the Provost’s Visiting Writer at the University of Iowa 2013/2014. Basil’s work has been published by Dramatic Publishing and was included in Xlibria’s Becoming: Young Ideas on Gender and Identity. The Cost of a Goat won a National Science Award at KCACTF in 2012. MFA University of Iowa, 2013.

Hierarchies of Power
Essay

Hierarchies of Power

Cisgender Playwrights and Trans Characters

28 September 2016

In this #IdentityWeek blog, playwright Basil Kreimendahl discusses the representation of trans characters on stage.

Oh Gender, Up Yours!
Essay

Oh Gender, Up Yours!

18 November 2015

Three transmasculine playwrights discuss working in the theatre.

Trucks, Country Music, and Class
Essay

Trucks, Country Music, and Class

25 October 2014

I don’t want to write an article about how we don’t see enough of a certain kind of people on stage. We are all working within an unfortunate system that, for the most part, elevates the work that mirrors itself. Instead of talking about production, I want to write about the art that we are making, because we are artists making art, whether it’s produced or not.