Erik Ehn's works include The Saint Plays, No Time Like the Present, Wolf at the Door, Tailings, Beginner, Ideas of Good and Evil, and an adaptation of Faulkner's The Sound and the Fury. He is currently working on completing a series of 15 plays - Soulographie - on the history of the US in the 20th Century from the point of view of its genocides, intended for production in NY in April 2012 (scripts include Maria Kizito, Heavenly Shades of Night are Falling, Yermedea, Drunk Still Drinking). His works have been produced in San Francisco (Intersection, Thick Description, Yugen), Seattle (Annex, Empty Space), Austin (Frontera), New York (BACA, Whitney Museum), San Diego (Sledgehammer), Chicago (Red Moon), Atlanta (7 Stages), Los Angeles (Cal Rep, Museum of Jurassic Technology), Belgrade (Dah); elsewhere. He has taught at the U of Iowa, Naropa, UC San Diego, UT Dallas, and Cal Arts (graduate); U San Francisco, SF State, Santa Clara, and Skidmore (undergrad); he just completed a writing workshop with the Belarus Free Theater in Minsk. He conducts annual trips to Rwanda/Uganda, taking students and professionals in the field to study the history of these countries, and to explore the ways art is participating in recovery from violence. He produces the Arts in the One World conference yearly, which engages themes of art and social change. Artistic Associate, Theatre of Yugen. Graduate of New Dramatists. Former Dean of the CalArts School of Theater. Current Head of Playwriting, Brown University.