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Jacqueline E. Lawton

Playwright, dramaturg, producer, and advocate for Access, Equity, Diversity, and Inclusion in the American Theatre.

Jacqueline E. Lawton is a playwright, dramaturg, producer, racial equity facilitator, and advocate for Access, Equity, Diversity, and Inclusion in the American Theatre. Her plays include: Anna KBehold, A Negress; BlackbirdsBlood-bound and Tongue-tiedDeep Belly BeautifulThe Devil’s Sweet WaterDiola, Edges of Time; Freedom Hill; The Hampton YearsThe Inferior SexIntelligenceLove Brothers SerenadeMad BreedNoms de Guerre; So Goes We; and The Wonderful Wizard of Oz. Her work has been developed and presented at the following venues: Classical Theater of Harlem, Folger Shakespeare Library, the Hangar Theatre, the Kennedy Center, Pasadena Playhouse, PlayMakers Repertory Company, Rep Stage, Rorschach Theater Company, Round House Theatre, Theater J, and Woolly Mammoth Theater Company. Lawton has received commissions from Arena Stage, Adventure Theatre - Musical Theatre Center, National New Play Network, National Portrait Gallery, National Museum of American History, Round House Theatre, Tantrum Theatre, and Theater J. She received her MFA in Playwriting from the University of Texas at Austin, where she was a James A. Michener Fellow. She is a 2012 TCG Young Leaders of Color award recipient and an alum of National New Play Network (NNPN) Playwright Alum, Arena Stage's Playwrights' Arena, and Center Stage’s Playwrights Collective. Currently, she is an Associate Professor in the Department of Dramatic Art at the University of North Carolina-Chapel Hill and a production dramaturg for PlayMakers Repertory Company. She is a proud member of the Dramatist Guild.

A woman in a black hat cuts fabric in a costume shop.
Essay

Escalating Drama Department Cuts and Mergers Impact Us All

9 September 2024

Theatre departments now face steady, targeted closures and downsizing nationwide. Jacqueline E. Lawton and Rachel Pollock speak to professors impacted by these cuts and lay out actions to preserve theatre education at the university level. 

Podcast

Decolonizing Texts, Words, and Communication

30 May 2018

In this podcast, DeLesslin “Roo” George-Warren, Jacqueline E. Lawton, Lisa Cooke Ravensbergen, and mia susan amir discuss how we can decolonize the primacy of the written word and text in theatre.

Essay

To Fear or Not to Fear

Community and New Play Producing

14 October 2016

In this piece, Triple Play project leads Tory Bailey and Brad Erickson respond to selections of a conversation between playwrights Laura Jacqmin and Jacqueline Lawton.

Essay

An Inside Look at Theater J

Interview with Shirley Serotsky

27 July 2015

Jacqueline Lawton interviews Acting Artistic Director of Theater J, Shirley Serotsky.

Essay

Writing Towards the Specific

3 February 2014

As an African American woman playwright from a poor, working class, racist, country town in East Texas, I learned early in life that I am part of a community of people whose voices have been silenced, whose image has been exaggerated and misrepresented, and whose legacy has been erased and exploited. White playwrights, male and female, need to understand that they are writing within a legacy of the people responsible for having done those things to people of color. Neither legacy is fair. They come with unshakable, palpable, and visible burdens.

Series

Yellowface in the American Theatre

In response to the protest and aftermath of the New York Gilbert & Sullivan Players’ now canceled production of The Mikado, this series addresses the racist performance and casting practices of Yellowface in the American Theatre.

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