Yellowface in the American Theatre

Nelson T. Eusebio III addresses the argument that the “best” actor must always be cast in a role, regardless of race.

Director Desdemona Chiang provides an overview of Asian American discrimination and cultural appropriation in the US and argues that there is no way to divorce The Mikado from this problematic history. 

Victor Maog interviews Leah Nanako Winkler on her response to the controversy around NYGASP's The Mikado.

Playwright Rehana Lew Mirza argues that those who defend producing The Mikado using yellowface on the basis of its “historical significance” are supporting centuries of imperialism and oppression.