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J.C. Pankratz

Playwright and educator

J.C. Pankratz (they/them) is a trans, queer, and non-binary playwright creating lyrical, genre-defying work about gender, class, trauma, magic, and the indispensible power of human imagination. Some of their work includes Eat Your Young (workshop production, Boston Playwrights' Theatre), Mortals (Pridefest at The Tank), and Redeemer Mine (Finalist, O'Neill Playwrights Conference). Previous collaborators include the Kitchen Dog Theater, Lily + Joan Theatre Company, Seattle Theatre Works, and the Boston Playwrights' Theatre.They are They are the recipient of the 2021 FMM Fellowship for Works in Heightened Language from Synecdoche Works for their play Seahorse and a 2022-2023 Core Apprentice with the Playwrights Center. www.jcpankratz.com

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Making Space: Consent, Collaboration, and Queer Access Intimacy
Podcast

Making Space: Consent, Collaboration, and Queer Access Intimacy

With Guests J.C. Pankratz and Emmett Podgorski

12 July 2023

J.C. Pankratz returns to the podcast to reflect on the first full production of their play Seahorse, directed by Nicolas Shannon Savard, starring Emmett Podgorski. Nicolas, J.C., and Emmett discuss how the collaborative process, from auditions through closing night, was informed by queer community building, access intimacy, and consent-based practice. They offer behind-the-scenes perspectives and concrete examples of how tools and ideas discussed in previous episodes played out in practice.

Gender Euphoria teaser image.
Queer Intimacies, Trans Futures, Grief, and Radical Hope in Seahorse
Podcast

Queer Intimacies, Trans Futures, Grief, and Radical Hope in Seahorse

With Guest J.C. Pankratz

14 June 2023

Host Nicolas Shannon Savard interviews playwright J.C. Pankratz about their play Seahorse, a poetic, stream-of-consciousness one-person show about a trans man’s attempts at artificial insemination following his husband’s unexpected death. The conversation will dive into the play’s approach to the “messiness” of imagining futures you can’t yet see and its use of magical realism to invite audiences to sit inside that mess as witnesses and confidants.