Matt McGeachy writes about Modern Times Stage Company's Forgiveness: A Theatrical Poem, an intense movement piece exploring the dialetic between forgiveness and forgetting. 

Matt McGeachy looks at the Tarragon Theatre's production of The Ugly One and how it tackles the phenomenon of the "handsome bubble"

Damien Atkins, Paul Dunn, and Andrew Kushnir explore gay heritage while questioning whether such a thing can actually exist resulting in a living archive in a play structure.

Matt McGeachy writes about To Russia with (Gay) Love, and how artists can find solidarity in the struggles of those from which they are isolated.

Matt McGreachy writes about Ronnie Burkett Theatre of Marionettes’s production of The Daisy Theatre at the Luminato Festival in Toronto.

The Canadian premiere of Sarah Ruhl’s Passion Play, which probes faith, brought together a group of strangers for an immersive four hour play resulting in the possible confirmation of faith in community.

Matt McGeachy tallks about VideoCabaret’s The War of 1812, which attempts to understand the war and its consequences through comedy, tragedy, and Canadian history.