P Carl talks with Taylor Mac about drag, aesthetics, gender, performance, and politics.

After a comment storm on a recent HowlRound post about bias in criticism in the American Theatre, P. Carl addresses how the democratization of the arts is a form of inclusion.

P. Carl talks with former Steppenwolf Artistic Director Martha Lavey who passed away on April 25, 2017. This interview was originally published on February 15, 2015.

P. Carl considers how to teach theatre in the time of Trump.

Corey Ruzicano interviews Dr. P. Carl on how he picks his battles as part of the Battle Series.

P. Carl on transitioning, frames of whiteness, and taking control of the plot.

An interview with Roberta Uno, director of Arts in a Changing America, by P. Carl.

On the five-year anniversary of HowlRound, P. Carl looks back with a grateful eye to the future.

P. Carl asks if a shared leadership model can make a dent in the problem of diversity in our institutions.

Lisa Portes, P. Carl, and José Luis Valenzuela offer opening remarks on Carnaval 2015 at the Theatre School at DePaul University.

P. Carl interviews playwright Tanya Saracho on how writing for television has affected her work and life in the theatre.

P. Carl and outgoing artistic director of Steppenwolf Theatre, Martha Lavey, in conversation.

Boston’s new Chief of Arts and Culture, Julie Burros, took time recently to talk with P. Carl about her new role and the significance of being chief.

P. Carl interviews Ari Roth about his recent firing from Theater J and the power of theatre in politcs. 

P. Carl interviews Carson Kreitzer and Matt Gould about their journey creating the new musical, Lempicka.

I’m at the Isabella Stewart Gardner Museum in the women’s restroom washing my hands. A woman walks in, “I must be in the wrong place,” she says and walks out. Then she walks back in, “No, you’re in the wrong place,” she says, seething with confidence. I walk out, not sure of my place.

P. Carl interviews 7 Fingers' Gypsy Snider and Shana Carrol.

P. Carl interviews playwright Sarah Ruhl on her collection of short essays titled "100 Essays I Don't Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater." 

P. Carl interviews Michael Garcés, Artistic Director of Cornerstone Theater, about their touring production California: The Tempest, which revisits ten California communities that were part of ten year’s of Institute Summer Residencies.

P. Carl reflects on the power of the brain and how it relates to creativity. 

P. Carl interviews Julie Crosby on leadership, gender parity, and Women’s Project Theater. 

P. Carl interviews Joy Meads, Carla Ching, Annah Feinberg, and Kelly Miller on how THE LIST was produced and responses since its release.

A Keynote speech delivered by P. Carl at North Dakota State University “Playing on Common Ground: Theatre and the Complex Communities of the 21st Century.”