P. Carl and David Dower outline thier plan for what HowlRound will look and function like moving forward.

Love, comprimise, and honesty are essential to good partnerships. But are we as a theatre industry remembering to include these ideas in the way we make work?

Join us for the 21st Century Literary Office Convening, and hear from P. Carl about just what we're setting out to do.

P. Carl breaks down how the aesthetics, complexities, and high stakes in a play like Lisa D’Amour’s Detroit, create disruptive theatre.

P. Carl asks if the virtual connectedness of the twenty first century theater community can provide the place for artists to move beyond the brick and mortar settings of the current regional theater movement, and into greater creative freedom.

A welcome to the new HowlRound.com, another step forward in turning the conversation around theater from "me" to "we."

P. Carl ruminates on the comparison between an ER and a rehearsal room, and the lessons we can lean as theater makers from both.

P.Carl, a founder of HowlRound highlights some quotes from articles published in the first year of HowlRound.

P. Carl on the decline of public discourse and the relationship between artists, institutions, and the percieved Haves and Have-Nots.

P.Carl meditates on the power of saying Yes instead of No to new ideas.

From social media posts from interns, to the "important stuff" institutional leaders handle, what in orgnizational culture needs to change, so aspiring and creative minds are not stifled by rigid hierarchies.

P. Carl describes the social traps that befall those who work in non-profit theater, and advocates for the introduction of more breathing and thinking time into insitutions.

Reflecting on the 2011 TCG Conference, P. Carl asks “What if we could get over ourselves?” at both the individual and institutional level.

P. Carl narrates his evolution of finding his place in the creative field of theater, and the way the nature and expression of creativity in theatre is tied into the nature of philosophical argument.

Thoughts on maintaining a sense of abundance and gratitude as a theatre artist.

P. Carl asks: What are we to do to survive our own ego-mania?

In this final installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews David Dower on the results of the convening, and his assertion that new plays are in a state of abundance, not scarcity.

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews Alison Carey of Cornerstone Theater Company about how to open up the conversation about diversity and inclusion in the theatre.

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews poet Claudia Rankine on the negotiation of the contradiction that often arises between beauty and the truth.

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl connects the abundance of new plays with the need to embrace diversity in the theatre.

P. Carl reveals his personal journey with theatre through the lens of confessions, contradictions, and beauty.