P. Carl interviews Director Lear deBessonet on her influences, inspirations, and current work.

In hopes that 2014 will be a fruitful year for the whole theatre community, P. Carl asks for a healthy diet of positive inquiry and generosity to create three-dimensional conversations.

P. Carl writes about his experience cross-dressing to fundraise for HowlRound, and makes an appeal to help us continue our mission of highlighting the dissonances of the theater industry.

P. Carl's speech delivered at ArtsCrush in Seattle, Washington on September 10, 2013.

P. Carl talks to Paula Vogel, Teo Castellanos, and Will Power about politics, diplomacy as artists, and the lines they will or will not cross

P. Carl issues an apology on behalf of HowlRound and Lily Janiak in regards to a NewCrit piece.

A refection on the power of dreaming by P Carl.

In this essay, P. Carl gives insight on promoting cultural exchanges and uplifting communities of artists.

HowlRound presents a video on Culture Coin, a peer-to-peer digital currence and resource sharing economy for all

P. Carl introduces the New Crit Critics, and reflects on thier place on HowlRound.

A transcription of P. Carl's keynote address on March 25, 2013 at The Cohen New Works Festival presented by the University Co-op at University of Texas-Austin.

In this meditation, P. Carl examines the effectiveness of discipline when influencing creativity and promoting critical thought.

A huge thank you to everyone who applied. We are opening up the call for critics nationwide to determine our final city.

P. Carl, David Dower, Jamie Gahlon, and Vijay Mathew define their visions of HowlRound as a not-for-profit theatre commons.

A call to bring the art of criticism to HowlRound, utilizing respectful dialogue to foster more in-depth conversations about the theatre we work hard to make.

In this meditation, P. Carl reflects on the meaning of success in theatre.

In light of the 2012 presidential election, P. Carl reflects on the importance of public service.

P. Carl affirms our need to democratize the theatre field, in the battle to define what constitutes good art.

Fall is back, and that means it's time to mull over how to keep new and undiscovered stories up front.

P. Carl on the process, and consequences, of defining the insitutional truth in Non-for-Profit Theaters in the United States.

P. Carl compares and constrasts the rhythms of institutions and artists.

P. Carl's keynote from the 2012 CityWrights: Weekend for Playwrights enbolden artists to focus on making good art, rather than being overwhelmed by transactions.

P. Carl on why the lack of stories on American Stages about those who do not identify with a single gender, and the need to change it.

As HowlRound moves forward with the same mission of crowdsourcing, P. Carl asks us: what can we do better?