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Decolonizing College Theatre

Ani-racist, anti-colonial focused readings to create more equitable spaces, particularly for BIPOC theatremakers

two actors onstage
Essay

Finding a Path to Anti-Racist, Actively Inclusive Theatre Education

12 February 2020

David Valdes talks about Boston Conservatory at Berklee’s work to shift their theatre department into a more truly equitable program, why using the right language matters in the process, and tips for individuals and institutions looking to be actively inclusive.

a group of people sitting onstage
Essay
5 July 2018

Director Lavina Jadhwani summarizes conversations about casting she's been involved with in the past, and offers advice to artists and producers who find themselves facing criticism for their choices.

Essay

The Mythology of Color Blind/Conscience Casting

12 July 2013

We need to stop asking to find space for artists of color and instead give them the space. This starts by looking at what plays we are and are not presenting.

Essay

Three Questions to Ask

21 December 2014

Director Lavina Jadhwani ask three questions, addressing how color-conscious casting impacts the story being told.

Essay

Learning How to Talk About Casting

22 August 2017

Theatre practitioner and educator Sophia Skiles interrogates unconsciously artificial and increasingly antiquated casting practices and urges understanding of casting practices that advance equity, inclusion, and access.

The author, Chris Mayers (left), and Rachel Nicks (right) in a hospital scene for the play WAR.
Essay

Class Consciousness and the Transformation of the World

20 April 2021

Chris Myers talks about the importance of class politics and makes a case for why artists ought to reckon with it, both as creative people and just plain workers.

Several actors as prisoners, civilians, doctors and nurses in Bertolt Brecht's Fear and Misery of the Third Reich.
Essay
15 April 2021

Enid Brain argues that political theatre has largely been reduced to simply calling out the problems in society, effectively preaching to the choir, and believes that in order to save political theatre, it must be re-Marxed.

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