Friday Phone Call # 3

Lydia Diamond of Steppenwolf

I spoke with Lydia right at the start of rehearsals for Stick Fly, her first play produced on Broadway. I first met Lydia at the meeting in Chicago that Steppenwolf hosted for my "Gates of Opportunity" research. I also had the great pleasure of working with her on the production of Stick Fly that formed the seeds for what’s happening now with Alicia Keys. The play has since opened, and is still running. We talk here about her reaction to the start of rehearsals, her sense of privilege and responsibility as an artist with the sorts of opportunities she’s had, and the conversation around race in the American theater.

Listen to weekly podcasts hosted by David Dower as he interviews theater artists from around the country to highlight #newplay bright spots. You can subscribe to the series via iTunes or this RSS Feed (for Android phones).

Bookmark this page

Log in to add a bookmark
Thoughts from the curator

Listen to weekly podcasts hosted by David Dower as he interviews theater artists from around the country to highlight #newplay bright spots. You can subscribe to the series via Apple iTunes or RSS Feed.

Friday Phone Call

Interested in following this conversation in real time? Receive email alerting you to new threads and the continuation of current threads.

subscribe

Comments

1
Add Comment
Newest First

The Washington Post article we're talking about was written by Peter Marks and focused on the legacy of Alice Childress, author of the play TROUBLE IN MIND that was to be the first play by an African American woman to be produced on Broadway. He was writing about the history of that play in light of the fact that both Stick Fly and The Mountain Top were going to be playing on Broadway at the same time.