Emilio Williams sits down with Jesús Caballero to talk about the lost puppetry genre called la máquina real and Jesús’s company in Spain that works to reimagine this Baroque art form. / Emilio Williams entabla una conversación con Jesús Caballero sobre un género de teatro de títeres olvidado de nombre la máquina real y los esfuerzos de Jesús y su compañía en España por recuperar esta tradición barroca.

Robert Barry Fleming, executive artistic director of Actors Theatre, and Courtney Sale, artistic director of Merrimack Repertory Theatre, converse about structural racism and systems of oppression, what can be learned from theatre for young audiences, the possibilities in a post-COVID world, and more.

verity healey speaks with Alex Istudor, the Romanian-born director who lives and works in the UK, about the challenges of migrant theatremakers, different attitudes towards creating shows between the UK and continental Europe, and more.

In a conversation that took place in November 2020, Meropi Peponides and Yury Urnov discuss stepping into shared leadership roles, adapting during the pandemic, paying salaries to actors, and more.

Lighting designers Annie Wiegand and Michael Maag discuss how being part of the Deaf and disability community intersects with their design work.

Heidi Coleman and Patrick Jagoda discuss alternate reality games (ARG) as a means of motivating audiences to take action, what goes into creating ARGs, game-based improvisation, and more.

David Dower and Martin Faucher discuss leaving their leadership positions at Boston’s ArtsEmerson and Montreal’s Festival TransAmériques, respectively; the balance between artistic responsibility and activist responsibility as artistic leaders; passing the torch to the next generation; and more. / David Dower, directeur artistique du ArtsEmerson de Boston, et Martin Faucher, codirecteur général et directeur artistique du Festival TransAmériques de Montréal, discutent de leur départ respectif, de l’équilibre entre la responsabilité artistique et la responsabilité militante en tant que directeur artistique, du passage du flambeau à la prochaine génération, et plus.

Text-based director and adaptor Lavina Jadhwani chats with casting director Victor Vazquez about her shift from using “color-conscious casting” to “identity-conscious casting,” the importance of casting being seen as part of a show’s design and dramaturgy, and more.

Sophia Skiles, the incoming head of acting for the Brown/Trinity MFA program, and Nicole Brewer, who recently joined the acting faculty at the Yale School of Drama, dive deep into a conversation about what it means to be a woman of color in leadership.

In the last conversation of the Performing the Internet series, curator Kate Bergstrom sits down with three members of the Detroit-based artist-activist collective Complex Movements—Sage Crump, ill weaver, Wes Taylor—to talk about intentional engagement in a virtual world.

In this article for the Performing the Internet series, Miller Puckette and Onyx Ashanti get together for a conversation about the changing landscape of multimedia technology in the arts, how technologically mediated performance practices have taken on new relevance in the post-COVID era, and more.

As part of the Performing the Internet series, Martim Galvão and Todd Anderson have a conversation about the unconscious “performance” and emotional journey of web browsing, internet mixtapes, building websites for performance, and more.

Anchuli Felicia King and Adam Cooper-Terán talk about how the object of the internet functions in their creative work, the ethics of the internet, digital apocalypse art, and more.

Barbara Fuchs chats with director and designer Jared Mezzocchi about his digital theatre production Russian Troll Farm, how to reverse-engineer Zoom, Isadora as the way forward, and more.

Jennifer Rodrigo sits down in conversation with Sabera Shaik, the artistic director of Malaysia’s Masakini Theatre Company, about the country’s fragmented arts community, shadow theatre, and more.

Carrie Klewin Lawrence and Amy Clare Tasker have a conversation about devising online, if that’s considered “theatre” or not, audience participation, and more.