Mariela Lopez Flores speaks with Ariadna Ferreira—one of the creators of the show Mexicatas—about the realities of migration, Catalan vs. Mexican cultures, and more. / Mariela López habla con Ariadna Ferreira—una de las creadoras de la obra de teatro Mexicatas—sobre las realidades de la migración, la cultura catalana vs la cultura mexicana, y más.

Flo Low interviews Israeli theatremaker Ruth Kanner about what she calls “storytelling theatre,” her experience teaching in an American classroom, the impact of cross-cultural exchange, and more.

Keith Barker and Lindsay Lachance talk about the challenges and rewards of working in mixed company with Indigenous and non-Indigenous artists, including what it’s like to navigate work with sensitive subject matter, including Indigenous histories and colonization.

Playwright Herbert Sigüenza talks to seven of his Latinx playwriting friends about how they’ve been affected by COVID-19, writing during this time, the future of Latinx theatre in the United States, and more.

Michelle Hensley and Abe Rybeck—former founders and artistic directors of Minneapolis’s Ten Thousand Things and Boston’s the Theater Offensive, respectively—discuss their leadership transition, including knowing when to step back, succession planning, fears of leaving, and more.

HowlRound’s director, Jamie Gahlon, talks with theatremaker Mihaela Drăgan about contemporary Roma theatre and the artistic movement Roma Futurism.

Summer Robinson interviews playwright Lynden Harris about her work creating theatre with men on death row across the United States.

Madeleine George and Mike Lew talk about writing comedy for theatre, vulnerability as playwrights, working with different aesthetics, and more.

Frankie Mulinix speaks with Rob Mello, owner of Atlanta’s Rob Mello Studios, about the city’s artistic spaces, governmental and organizational support, the lack of arts coverage, and more.

Frankie Mulinix and Porter Grubbs introduce the three-part Atlanta series with a conversation about the city’s performance scene, building audiences, the importance of affordable spaces, and more.

Matthew McMahan talks to playwright Herbert Siguenza about branching out as a solo writer after years as a member of Culture Clash, writing bilingual comedy, and more.

Carlos Murillo and Kira Obolensky talk about their National Playwright Residency Program residencies, creating work for a specific theatre’s audience, playwrights not being part of the sea change of artistic director turnover, and more.

Early career arts manager Al Heartley speaks with Jennifer Bielstein, executive director of American Conservatory Theater, about active listening, how to balance focusing on the details with looking at the bigger pictures, management values, and more.

Rehana Lew Mirza and Melinda Lopez talk being playwrights as well as actors and teachers, critiquing their own work, their individual work processes, and more.

Caridad Svich shares a correspondence she had with playwright and theatremaker Will Arbery, touching on topics of writing about bleakness and despair, a play’s relationship to breath, faith and faithlessness, and more.

ArtsEmerson Artistic Director David Dower speaks with Chilean playwright Guillermo Calderón about the ongoing protests in Chile.

Amelia Parenteau speaks with Lauren E. Turner about racialized trauma in American theatre, Lauren’s experience with it, and healing.

Beatrice Perez-Arche and Livian Yeh have a conversation about their experience in the Young Critics Program, “cancel culture” and criticism, gaining confidence, and more.

Cultural organizer and producer Joon Lynn Goh speaks with Janna Graham, a research-based practitioner, curator, and lecturer, about connecting cultural work with political organizing.

Producer Tobi Kyeremateng and poet/writer Roger Robinson talk about Black writers in the UK, creative citizenship, activism in the arts, and more.

Katy Rubin, founder and former exeuctive director of Theatre of the Oppressed NYC, talks with new executive director Meggan Gomez about how long leaders should hold their roles in an organization, mission drift, founder’s syndrome, and more.

Linda Parris Bailey and Diane Rodriguez talk about their own leadership transitions and what’s next, gender, race, and economic barriers; documenting work; and more.

Choreographer Malik Nashad Sharpe and film & TV director Liza Johnson talk gravity, abstraction and risk, ethics, and more.

Black British writers Matilda Ibini and Oladipo (Dipo) Agboluaje talk about choosing to study theatre at school, crowdfunding, Afrofuturism, and more.