fbpx Playwright Residency | HowlRound Theatre Commons
Howlround Theater Commons Home Page
Essay by

Herbert Sigüenza is the Playwright-in-Residence at San Diego Repertory Theatre in San Diego, CA through the National Playwright Residency Program, funded by the Andrew W. Mellon Foundation. Find out more about Herbert's residency experience and learn about the impact of the program at large.

Playwright Residency

Why Herbert Siguenza? Why San Diego Repertory Theatre?

Essay by

Herbert Sigüenza is the Playwright-in-Residence at San Diego Repertory Theatre in San Diego, CA through the National Playwright Residency Program, funded by the Andrew W. Mellon Foundation. Find out more about Herbert's residency experience and learn about the impact of the program at large.

Sam Woodhouse, Artistic Director of San Diego Repertory Theatre and playwright-in-residence Herbert Siguenza discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

 

Bookmark this page

Log in to add a bookmark

Comments

1
Add Comment

The article is just the start of the conversation—we want to know what you think about this subject, too! HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. Find our full comments policy here

Newest First
Patty Rangel
7 years ago

Herbert Siguenza is a Latino Playwright, Actor and Co-Founder of Culture Clash (the most popular and produced Latino ensemble in the United States).
The San Diego REP will open its 41st Season with Herbert's "Manifest Destinitis" - an outrageously hilarious adaptation of Moliere's "The Imaginary Invalid". Tickets can be purchased here: http://www.sdrep.org

More Like This

A purple stage with a lit blue backdrop.
Inventing the “Flay” (Film/Play) with Campo Santo
Essay

Inventing the “Flay” (Film/Play) with Campo Santo

16 March 2023

When Campo Santo decided to film their production of Star Finch’s Side Effects early in the COVID-19 pandemic, they were embarking on a creative journey that felt entirely novel and a little overwhelming. In this conversation, the production’s directors discuss development of the production’s aesthetic and the generative process they embarked on at the intersection of “film” and “play.

four actors onstage
"We’ve Got to Protect Our Art"
Essay

"We’ve Got to Protect Our Art"

Celebrating the Artistic Journeys of Two Latino Playwrights

18 September 2019

Luis Alfaro and Herbert Sigüenza talk about their experience in the National Playwright Residency Program, learning about the inner workings of theatre companies, portraying Latinx people in a positive light, the importance of comedy, and more.

four actors onstage
Bringing the Playwright's Perspective to the Table
Essay

Bringing the Playwright's Perspective to the Table

3 September 2019

Playwrights Kirsten Greenidge and Peter Nachtrieb talk about what it means to be an artist in residence, how theatres constantly work on their mission, connecting with the community, and more.