Linda Parris Bailey and Diane Rodriguez talk about their own leadership transitions and what’s next, gender, race, and economic barriers; documenting work; and more.

Luis Alfaro and Herbert Sigüenza talk about their experience in the National Playwright Residency Program, learning about the inner workings of theatre companies, portraying Latinx people in a positive light, the importance of comedy, and more.

Playwrights Kirsten Greenidge and Peter Nachtrieb talk about what it means to be an artist in residence, how theatres constantly work on their mission, connecting with the community, and more.   

Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history.

Playwright Peter Nachtrieb and artistic director of San Francisco’s Z Space, Lisa Steindler, talk about the National Playwright Residency Program, getting out of your comfort zone, making a living as a writer, and more.

Carlos Morton discusses Luis Valdez’s latest play, Valley of the Heart, what the Mexican philosopher José Vasconcelos calls la raza cosmica, and being part of a mixed-race family himself.

Johanna Pfaelzer, incoming artistic director at Berkeley Rep Theatre, and Lisa Steindler, executive artistic director of Z Space, talk about creating partnerships with organizations across the Bay Area, the younger generation of leaders, and more.

Maddie Gaw examines the idea of the “problematic” play and Z Space’s inaugural Problematic Play Festival, which aimed to investigate why certain plays cause gatekeepers to turn away from them in favor of other material.

Joyce Rosario, interim artistic director of the PuSh Festival, and producer and curator Meiyin Wang sit down to talk about whether the next crop of leaders is being set up for success, working across differences with colleagues, their respective transitions, and more.