Playwright Abraham Johnson reflects on the 2018 Lambda Emerging LGBTQ Voices Retreat, and the importance of supporting emerging Queer playwrights.

Playwright and scholar Julie Taiwo Oni reflects on the experience of casting an actor with albinism for her play Chisel, and discusses why authentic casting is worth the work.

Playwright Lauren Gunderson offers other writers lessons on dramatic structure, building characters, and crafting a powerful ending.

Playwright Lauren M. Gunderson add to her video series "Why Theatre?" by discussing why theatre still matters in the age of filmed storytelling.

LA arts administrator David Mack explores the topic of labor law, proposing that complying with it will help create and sustain a more equitable theatre community—both in his city and across the country.

Leilani Squire explores the healing power of writing through her experience of working with veterans to write a play about their time at war and sharing their stories with the community.

For the fourth installment of the Chronic Theatremaker series, Sara Brookner interviews playwright Lisa Kenner Grissom about living with lupus and learning to balance her health practice with her writing practice. 

Artistic Director Travis Preston on the cross-cultural collaboration of bringing Fantômas: Revenge of the Image from CalArts to the Wuzhen Theatre Festival.

Carla Della Gatta and Marci R. McMahon look back on the 2017 Encuentro de las Américas International Theatre Festival that took place 2-12 November at the Latino Theatre Center in Los Angeles, California.

Maria Patrice Amon describes how she developed and produced San Diego Repertory Theatre’s first Latinx New Play Festival. 

Olga Sanchez reflects on Day Four of the Encuentro de las Américas International Convening on 12 November, 2017 in Los Angeles, California.

Jose Luis Valenzuela delivers an Encuentro de las Américas Manifesto as a part of the 2017 Latinx Theatre Commons International Convening in Los Angeles, California.

An overview of the history and progression of the Latinx Theatre Commons by Brian Herrera, as the LTC enters its fifth year of cross-cultural collaboration and lifting up and strengthening Latinx and Latin American Theatre.

Kate Langsdorf finishes the series by reflecting on her experience attending different shows as an audience member in Los Angeles, California.

Marci McMahon reflects on how Diane Rodriguez’s The Sweetheart Deal breaks gendered stereotypes about the Chicano Movement of the 1960s and ’70s. 

Meet the staff of one Bay Area theatre company and see how their lives, jobs, and homes interact and affect the artistic ecology of the Bay Area.

Joan Schirle, Founding Artistic Director of Dell’Arte International, presents an overview of the history of Dell’Arte’s Rural Residency Program and the program’s relationship to community engagement in Northern California.

Abigail Vega writes about the process for choosing shows for the 2017 Encuentro de las Américas festival. / Abigail Vega escribe sobre el proceso de selección de obras para el festival Encuentro de las Américas 2017. 

Maelsha Taylor talks with Ise Lyfe and Gill Sotu about their spoken-word opera Ordinary Magic. 

Carlos Morton on the revival of Simply María, or The American Dream by Josefina López in Los Angeles.

In this first installment of a three-part series, Armando Molina writes about funding for theatres in Los Angeles, California.

Andrew Saito, participant in the Djerassi Playwrights Initiative, speaks to his experience at the residency.

Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.