Playwright Lisa D'Amour considers the inherent differences between big institutions and grassroots theatres, and the possibilities that could arise were the two to collaborate.
How can a director decenter themselves while still fulfilling the role of “director”? Kimberly Senior found an answer to this question in Facilitative Leadership, a practice of redistributing power that transformed her recent rehearsal process.
Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African, and Southwest Asian theatre in the United States—from Golden Thread’s founding in 1996 to a growing ecosystem of bold, community-rooted companies shaping the American stage through urgency, artistry, and refusal.
