fbpx Black Women Directors, Makers, and Leaders on Brilliance, Glass Ceilings and What's Next | HowlRound Theatre Commons

Livestreamed on this page Saturday 28 March 2026 at 2 p.m. CDT (Chicago, UTC -5) / 3 p.m. EDT (New York, UTC -4) / 12 p.m. PDT (Los Angeles, UTC -7) / 19:00 GMT (London, UTC +0) / 20:00 CET (Brussels, UTC +1).

Chicago, Illinois, United States
Saturday 28 March 2026

Black Women Directors, Makers, and Leaders on Brilliance, Glass Ceilings and What's Next

Part of the On Record series produced by the Network of Ensemble Theaters

Saturday 28 March 2026
Remote video URL

About This Conversation

Black women in Chicago direct, devise, produce, and lead at extraordinary levels. And the ecosystem doesn't match it. Directors without health insurance. Leaders building institutions with no safety net underneath them. Brilliance that the city celebrates and then fails to sustain.

On Record puts that gap on the table.

These leaders have shaped Chicago theatre across generations and institutions. Together they hold founding vision, ensemble practice, institutional transformation, and artistic risk as lived experience. We are asking them to speak plainly about what it actually takes to build legacy inside a city and an industry that was not designed to hold what they are building.

We are examining the real architecture: what sustains the work, what threatens it, and what comes next.

On Record is a national conversation series produced by the Network of Ensemble Theaters (NET) that puts critical questions about power, practice, and survival in the performing arts on the record, literally, through live public dialogue archived and accessible to the field.

Part of NETWeek Chicago, this public conversation is in partnership with artEquityCulture Change LabHowlRoundLeague of Chicago Theatres, Studio LunaTheatre Communications Group(X) Collective. The Guild Row is the venue for On Record.

Panelists

Jackie Taylor portrait.


Jackie Taylor is the founder and CEO of Black Ensemble Theater, which she started in 1976 on Chicago's South Side. Born and raised in Cabrini-Green, Taylor built BET out of refusal: frustrated by the stereotypical roles offered to Black actors, she created a company dedicated to telling the truth about Black life and culture through original musicals. Under her leadership, Black Ensemble has produced over 100 original works centering Black entertainers and has opened a permanent home in Chicago's Uptown neighborhood. Taylor has received the League of Chicago Theatres Lifetime Achievement Award, Actors' Equity's Rosetta LeNoire Award, and was named one of the top 10 in the Arts among the Chicago Sun-Times' 100 Most Powerful Women. As the theatre approaches its 50th year, she continues to shape what's possible for the next generation of Black artists and audiences in Chicago.
 

Ericka Ratcliff portrait.


Ericka Ratcliff is the Artistic Director of Congo Square Theatre Company and the first woman to hold that position in the company's 22-year history. Originally from Baltimore, she first performed with Congo Square in 2006 in the world premiere of Lydia Diamond's Stickfly and became an Ensemble member the same year. Before stepping into the top role, she served as Community Engagement and Education Associate, Literary Manager, Casting Director, and Associate Artistic Director. She also serves as Literary Manager at Chicago Shakespeare Theater and Coordinating Producer for 100 Free Acts of Theater at Goodman Theatre. With her appointment alongside Executive Director Charlique C. Rolle, Congo Square became a space where women hold both top leadership positions for the first time in the company's history.
 

Lili-Anne Brown portrait.


Lili-Anne Brown is a director, actor, and educator whose work across Chicago's theatres has earned her five Jeff Awards, two Helen Hayes Awards, two BTA Awards, and an African American Arts Alliance Award for excellence in directing. A South Side native and Northwestern University graduate, Brown co-founded Bailiwick Chicago and has directed world premieres at Goodman Theatre, Steppenwolf, and theaters across the country. She is an inaugural recipient of the Walder Foundation's Platform Award and a 2021 3Arts Award recipient. Her recent work includes directing The Color Purple at Drury Lane Theatre, bringing what the Sun-Times called "a who's who of Black creatives" to the stage. Brown's career is a study in what intentional Black curation looks like inside institutional spaces.
 

J. Nicole Brooks portrait.


Nicole Brooks (she/they) is an actor, playwright, director, and Creative Producer at Lookingglass Theatre Company, where she has been an Ensemble Member since 2007. She also serves as Associate Artistic Director at Collaboraction Theatre and holds a Mellon Foundation Playwright in Residence position at Lookingglass, where she is developing a series on Chicago mayors. Her original plays include Her Honor Jane Byrne, HeLa, Black Diamond: The Years the Locusts Have Eaten, and 1919. Brooks has received the Steinberg/American Theatre Critics Association New Play Award, a TCG Fox Foundation Award, a 3Arts Award, and a National Endowment for the Arts fellowship. Her television credits include recurring roles on South Side (HBO Max), The Chi (Showtime), Chicago Fire (NBC), and Fargo (FX). Brooks works at the intersection of ensemble practice, Black women's storytelling, and the city's unfinished reckonings.
 

Miranda Gonzalez portrait.


Miranda Gonzalez is a writer, director, producer, and facilitator, and the Producing Artistic Director of UrbanTheater Company in Chicago's Humboldt Park neighborhood. Born and raised in Chicago, she was a founding ensemble member of Teatro Luna and has been devising and developing original work since 2000. Gonzalez has spent two decades building theatre that centers Latina and Black communities through interdisciplinary projects blending theatre, music, dance, and oral history. She is a two-time 3Arts nominee, a recipient of the International Centre for Women Playwrights 50/50 Award, and was selected for Disney's Live Entertainment 2024 Creative Intensive. In 2020 she recorded a TEDx talk, "The Fear of Decolonization." Her play Mascogos, which traces the history of the Underground Railroad to Mexico, premiered with the Los Angeles Latino Theater Company's Imaginistas program. Her most recent work, Back In The Day: an 80's House Music Dancesical, world premiered at UTC as part of the Destinos Festival.
 

Roxanna Conner portrait.


Roxanna Conner (she/her) is the Director of the School of Theatre and Dance at Northern Illinois University. She has served as a leader of education and community initiatives for several organizations, including Chicago Shakespeare Theater, Victory Gardens Theater, Congo Square Theatre, and Krannert Center for the Performing Arts where she developed programs for students and lifelong learners. Roxanna was Acting Managing Director of Victory Gardens Theatre from 2020-2022, through tumultuous leadership transitions, board upheaval, and the closure/reopening due to the Covid-19 pandemic.

Facilitator

Carmen Morgan portrait.

 

Carmen Morgan is a national activist leading conversations at the forefront of the field on equity, diversity, and inclusion issues. She is the founder and director of artEquity, a national organization that provides tools, resources, and training to support the intersections of art and activism. She has provided leadership development, organizational planning and coaching for staff, executives, and boards for over 100 non-profit organizations. She is on faculty of Yale School of Drama where she addresses issues of identity, equity, and inclusion in the arts.

Accessibility

This event will feature live human captioning and ASL interpretation. The archived video will include post-production closed captions. If you have additional accessibility needs, please contact [email protected].

Social Media

  • Network of Ensemble Theaters: @netensembles (Instagram)
  • HowlRound: @howlround (Instagram)
  • artEquity: @artequity (Instagram)
  • Theatre Communications Group: @tcg_gram (Instagram)
  • League of Chicago Theaters @chicagoplays (Instagram)
  • (X) Collective: @xcollectivecommunity (Instagram)

Hashtags: #OnRecordChicago #NETWeekChicago #EnsemblePractice

About NETWeek Chicago

On Record is part of something bigger.

NETWeek Chicago (22-28 March 2026) is the Network of Ensemble Theaters spending a full week in a city where so much of what drives this network was forged. Chicago is where ensemble practice in this country has deep, tangled, living roots. It is where companies have been building collectively for decades, often without the infrastructure or recognition that matches what they produce. NET is bringing the full scope of what the network is building nationally into Chicago rooms, with Chicago artists, in real time.

The week includes multiple gatherings across the city. In addition to On Record Chicago there is: 


Physical Theater 101: Big Stories in Small Spaces | Workshop by Alice da Cunha of Physical Theater Festival

Thursday 26 March at 12:00–2:00 p.m. CDT at UrbanTheater Company Chicago

A playful and physical workshop exploring the endless possibilities of storytelling in a constrained space.

In this introductory workshop, participants will learn a signature physical theatre exercise called the “platform” style. Developed by renowned French theater-maker Jacques Lecoq, the style challenges artists to create big stories in small spaces using only their bodies, voices and imagination. Participants work in small groups to create a large, epic story within a very small space and short period of time. The goal is to explore new ways of thinking about theatre and storytelling by combining elements of mime, dance and music with fun and precision.

Note: Wear clothes that allow you to move freely and be ready to have fun.


The Federation Table: Collective Practice, Cooperative Power

Friday 27 March at 10:00 a.m.–12:00 p.m. CDT at Dawn Chicago

A working breakfast bringing together cultural workers, labor organizers, cooperative builders, and legal advocates to talk about what portable benefits, shared purchasing, and mutual aid infrastructure could look like for the people who make art collectively. NET is building a federation for cultural workers, and this is one of the rooms where that work gets shaped.


Ground Floor

Friday 27 March at 2:00 p.m.–4:00 p.m. CDT at Definition Theatre

Chicago's storefront theatres and ensemble companies in direct exchange: sharing practice, sparking co-producing partnerships, and doing what ensemble makers do best: build from the room. Isolation is a weapon, relationship is the resource.

Learn more and register for NETWeek Chicago.

Produced By

Network of Ensemble Theaters (NET) is a national solidarity network for ensemble-based artists, companies, and cultural workers. NET builds gatherings, invests in artists, and develops cooperative infrastructure for the practitioners who create through collective process.
 

About HowlRound TV

HowlRound TV is a global, commons-based, peer-produced, open-access livestreaming and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world’s performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and develop our knowledge commons collectively. Anyone can participate in this community of peer organizations revolutionizing the flow of information, knowledge, and access in our field by becoming a producer and co-producing with us. Learn more by going to our contribute content page

Find all of our upcoming events here.

Upcoming Events

Comments

0
Add comment Subscribe to comments

The article is just the start of the conversation—we want to know what you think about this subject, too! HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. Find our full comments policy here.

Newest First

Bookmark this page

Log in to add a bookmark

Subscribe to HowlRound

Sign up for our daily, weekly, or quarterly emails so you never miss the latest theatre conversations.

Sign me up

Support HowlRound

We fundraise to keep all our programs free and open and to pay our contributors. Thank you to all who make our work possible!

Donate today