Ten Great Articles from Past Guests on the Theatre History Podcast

Scholar and translator Barbara Fuchs discusses the opportunities and challenges of diversifying the classical canon to include Spanish-language Hispanic classical theatre.

Anne G. Morgan sheds insight on the history and impact of the Eugene O’Neill Theater Center on the theatrical community. 

Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.

Chantal Bilodeau on writing ourselves out of the pyramid and why she is breaking up with Aristotle.

Following the controversy around the Public’s Shakespeare in the Park Julius Caesar production, Nora Williams provides a parallel story about a play that was censored and caused the Globe to be shut down in 1624 because it depicted living monarchs unfavorably.

Amy Brady interviews Michael Arve about Dangerous Theatre, a piece he’s directing based on Hallie Flanagan’s 1938 testimony to the Special Committee to Investigate Un-American Activities.

Dr. Jorge Huerta reflects on the birth, present, and enduring legacy of El Teatro Campesino on its fiftieth anniversary.

Kyle A. Thomas offers a reflective overview of his concerns around pursuing a PhD in theatre.

Kyna Hamill investigates the implications of addressing war on stage and shares a brief overview of Theatre of War.

Scholar and theater practitioner Erin Mee, considers how by giving time-space to the sensoria, immersive, and interactive productions are inherently rasic.