Thriving as a Recent Graduate

P. Carl ruminates on the comparison between an ER and a rehearsal room, and the lessons we can lean as theater makers from both.

Deborah Stein breaks down her experience in collaborative theatre settings to its specific characteristics, revealing the agony and ecstasy of creating in an ensemble.

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, Meiyin Wang hypothesizes on the future of theatre and the impact it can have on the world.

Taylor Mac discusses actor professionalism, and trusting rather than auditioning them.

Zach Donovan addresses the shortcomings of nonprofit theatre, the glut of self production, and considers Pop Theatre as an alternative theatrical vehicle.

In this political moment, Genée Coreno considers the need for industry reform in the theatre.

Matthew Sekellick argues that identifying as entrepreneurs is not merely a survival strategy, but a false consciousness that alienates us further from our fellow artists and artisans. As theater artists, what we have to do is … imagine a world outside the confines of the present: a world beyond the horizon of entrepreneurship.