Video Archive

Watch Me Work is a play with an action and dialogue — it’s also a meta-theatrical, free writing class! Come join us. Livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 26 November 2018 at 2 p.m. PST (Vancouver) / 4 p.m. CST (Chicago) / 5 p.m. EST (Montréal) / 22:00 UTC +0 (London).

StageSource in Boston presented the Gender Explosion Forum—a moderated panel discussion on ways to foster gender diversity in the New England theatre community—livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Tuesday 20 November 2018 at 6:30 p.m. EST (Boston) / 5:30 p.m. CST (Chicago) / 3:30 p.m. PST (Vancouver) / 23:30 UTC +0 (London).

CEC ArtsLink presented a pilot ArtsLink Assembly on Artists and Global Citizenship livestreaming from New York City on the global, commons-based peer produced HowlRound TV network at howlround.tv Friday 16 November 2018 at 2 p.m. EST (New York) / 19:00 UTC +0 (London) / 20:00 UTC +1 (Berlin) / 21:00 UTC +2 (Bucharest) / 22:00 UTC +3 (Moscow). Use #ArtsLinkAssembly in social media.

The Martin E. Segal Theatre Center presented the Japanese Playwrights Project (Day 1) livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 12 November and Tuesday 13 November 2018.

The Martin E. Segal Theatre Center presented The Magnificent Peony Dreams: Yin Mei – Installation Performance + Artist Talk livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 8 November at 3:30 p.m. PST (San Francisco) / 5:30 p.m. CST (Chicago) / 6:30 p.m. EST (New York).

Watch Me Work is a play with an action and dialogue — it’s also a meta-theatrical, free writing class! Come join us. Livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 5 November 2018 at 2 p.m. PST (Vancouver) / 4 p.m. CST (Chicago) / 5 p.m. EST (Montréal) / 22:00 UTC +0 (London).

Whether European artists and professionals struggle against it or play along with it, Eurocentrism—in other words, post-colonialism—is undoubtedly influencing artistic production and shaping art dissemination networks. Will Europe overcome its colonial past and think outside its box? Can Europe be part of the world and not consider its values and aesthetic as universal? Can Europe relate to other cultures by different means other than exotism and cultural appropriation?

How can there be meaningful work on a diverse society if ensembles and programes don’t reflect the diversity of the societies they are a part of? How can artists make any knowledgeable statement about their society, if their teams are not as diverse as society is? How do we stop casting or programing of migrant artists only because of their migrant backgrounds? Artists just want to be artists. Or should they use their specific origins to an even greater extent to make their voices heard?

The Center for International Theatre Development presented The Politician as an Artist—a lecture and conversation featuring Budapest-based Theatre Critic Noémi Herczog with Philip Arnoult and Ramona Ostrowski livestreaming from Emerson College in Boston on the global, commons-based peer produced HowlRound TV network at howlround.tv Thursday 1 November 2018 at 9 a.m. PDT (Los Angeles) / 12 p.m. EDT (New York) / 16:00 UTC +0 (London) / 17:00 UTC +1 (Budapest).

The Network of Ensemble Theaters presented re:ROUTES—the 2018 Network of Ensemble Theaters’ National Gathering & Symposium in Tempe and Tucson, Arizona livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Wednesday 31 October to Sunday 4 November 2018.