Video Archive

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Notable scholars and renowned activists in the climate change discourse advocate that for the climate crises to be combated, humans will have to reevaluate their relationship with the environment. In other words, the place of man on Earth as a living entity ought to be redefined. There needs to be a shift from human-centred thinking to eco-centric learning, where man will have to view the world as more than the human entity.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

On 9 August 2023, the International Presenting Commons (IPC) and the Edinburgh International Festival gathered an invited, international group of presenters, producers, artists, and agents for a candid exploration of the opportunities and barriers artists and programmers face as they move work across borders.

The concept of climate finance refers to monies provided by those responsible for climate change to ease the burden of the crises on those who bear the brunt. This is a situation whereby the polluter pays as much as they pollute. The attention placed on climate finance dominates the narrative of climate change mitigation since polluters are able to pay monies allocated to them as climate finance. Climate finance has not fully addressed the issue of the elephant in the room.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

In collaboration with the Middle Eastern Theatre focus group at the Association for Theatre in Higher Education (ATHE) annual conference, Golden Thread Productions invited Dr. Sarah Fahmy, a decolonial scholartist and co-founder of the Middle Eastern Theatre group at ATHE, and Marina Johnson, a scholar and director, to moderate a conversation on theatre criticism in the Southwest Asian and North African (SWANA) artistic and academic worlds across the region and the diaspora today. Panelists discussed topics of cultural competency, the multiple forms of criticism, and the ways that SWANA artists and academics seek to change the game.

For the first time in its more than ten-year history, New England Foundation for the Arts' (NEFA) National Theater Project (NTP) has moved its flagship Creation and Touring Grant application to a summer cycle. This information session with NTP staff will break down what the National Theater Project is; review the criteria and eligibility requirements for the Creation and Touring Grant; explain changes to the timeline, criteria, and process that have arisen from NTP's ten-year evaluation process; and discuss what makes for a competitive application.

Since the first decade of the 21st century, Hollywood films have explored diverse challenges posed by climate change. In fact, eco-filmmakers seem to direct the blame around climate change on anthropocentrism and the rise of the capitalist economy. These films have centered on how climate change impacts more on rural indigenous communities, the politics of anthropocentric and capitalism, and the imperative of man’s revaluation of his relationship with the environment. Interestingly, most films on ecology have been churned out of the Global North than from the Global South despite the South’s being affected more by the climate scourge.