Video Archive

A panel of scholars and local Indigenous authors will discuss the importance of our stories in literature. We will explore how these narratives affect Native and non-Native communities today and the possible steps to educate, decolonize, and make changes using an Indigenous lens.

M.D. Schaffer (they/they) is a queer, non-Binary, African American writer born in Houston, Texas and currently residing in New York City. Their previous works include F***in’ Howard Phillips with the JaYo Theatre Company, Hotel On Fremont at The Lewis Center for the Arts, and A Rodeo Clown with the Obsidian Theatre Festival.

Poems, songs, and play excerpts from Brecht about war, refugees, and singing about dark times are mixed with writings from Heiner Müller about theatre, America, capitalism and the end of revolutions.

Artist and writer Cory Tamler holds the container, editing together her memories of her own experiences as a participant in parliament, excerpts from conversations with Kliën and from his personal archive, theoretical propositions for the way parliament could go to work in the world, and reflections from other participants in parliament over the years.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Hosted by Mark Caesar featuring the Glaspy Experience, the Black Film Festival of New Orleans (BFFNO) is a multi-day event designed to celebrate independent films and filmmakers. Through BFFNO, creatives have a home that advances African American cinema and cultivates local film and television in classic New Orleans style.

This presentation showed a way of conceptual development and essential meaning in the artist’s practice. Through a story of more than ten public sculptures, Ani showed her latest project, erected in Prague, Czech Republic after her evacuation from Prague as a result of the war. This event was made possible with the support of the Artists at Risk Connection (ARC).

The Centre for Socially Engaged Theatre (C-SET) at the Faculty of Media, Art, and Performance at the University of Regina, in collaboration with Theatre Emissary International, presents the online book launch of Re-centering Cultural Performance and Orange Economy in Post-Colonial Africa: Policy, Soft Power, and Sustainability. This book explores the role of national theatres, cultural centers, cultural policy, festivals, and the film industry as creative and cultural performance hubs for exercising soft power and cultural diplomacy. This event will feature live captioning and ASL interpretation.

Best Practices in New Play Development is a panel discussion around this theme with Martine Green-Rogers (DePaul University), Celise Kalke (Synchronicity Theatre), and Bradley Michalakis (Alley Theatre), with particular focus on anti-racist and anti-oppression practices. It is part of IU Theatre and Dance’s At First Sight Festival of New Plays. This event will feature live captioning and ASL interpretation.

Virtual book launch party for Latinx Shakespeares: Staging US Intracultural Theater (University of Michigan Press, January 2023) and the launch of LatinxShakespeares.Org. This monograph explores how Latinx culture is constructed dramaturgically and textually in Shakespearean adaptations and productions. LatinxShakespeares.Org is an online living theatre archive of Latinx adaptation. This event will feature live captioning and ASL interpretation.