Emily Morse and Srila Nayak share insight on Full Stage USA's dedication to exploring new models of play creation and production. 

Srila Nayak reviews the American Repertory Theater’s production of William Shakespeare’s The Tempest, and highlights how the production uses music, color-consious-casting, spectacle, and stage-magic.

Srila Nayak shares an overview of Pulitzer prize-winning dramatist Ayad Akhtar's career. 

In his autobiography, Amiri Baraka, born Everett LeRoi Jones in 1934, describes a stunned moment of self-discovery after reading a poem in the New Yorker. Baraka, then a 22-year-old aspiring poet, is confronted with a vast gulf between his reality and the sentiments and aesthetics of the poem, not to mention that of the New Yorker itself.

In this interview, Director Marianne Weems talk aesthetics, pedagogy, The Builders Association, and her two current plays on tour. 

Day three of the Latina/o Theatre Commons asks for everyone to make a commitment to mentoring and being a mentee to each other in order to continue building community.

Day two of the Latina/o Theatre Commons results in a declared Latina/o Theatre Day in Boston, a quandary of if there needs to be Latina/o theatre, and the strength to make their own table.

The Latina/o Theatre Commons National Convening has finally arrived in Boston. 78 Latina/o artist converged together for the biggest meeting since 1986.

By 2003, Sophocles’ Antigone, a fifth century B.C. tragedy about a violent confrontation between a defiant young woman and an arrogant ruler, was one of the most widely adapted plays in Ireland.