Livestreamed on this page on Monday 8 June 2020 at 9 a.m. PDT (San Francisco, UTC-7) / 11 a.m. CDT (Chicago, UTC-5) / 12 p.m. EDT (New York, UTC-4) / 17:00 BST (London, UTC+1) / 18:00 CEST (Berlin, UTC+2).
SEGAL TALKS: Jonathan McCrory and Ngozi Anyanwu
An update on the situation for theatre artists in New York
The Martin E. Segal Theatre Center presented SEGAL TALKS: Jonathan McCrory and Ngozi Anyanwu livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 8 June 2020 at 9 a.m. PDT (San Francisco, UTC-7) / 11 a.m. CDT (Chicago, UTC-5) / 12 p.m. EDT (New York, UTC-4) / 17:00 BST (London, UTC+1) / 18:00 CEST (Berlin, UTC+2).
Jonathan McCrory is an Obie Award-winning, Harlem-based artist who has served as Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott.He has directed numerous professional productions and concerts which include: How the Light Gets In (NYMF), Klook and Iron John (NAMT), Dead and Breathing, HandsUp, Hope Speaks, Blacken The Bubble, Asking for More, Last Laugh and Enter Your Sleep. He has worked at ETW at TISCH NYU with Emergence: A Communion and evoking him: Baldwin and at Suny Purchase directing Exit Strategy, & A Beautiful Day in November on the Banks of the Greatest of the Great Lakes.In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University’s TISCH School of the Arts. To learn more, please visit www.jonathanmccrory.com.
Ngozi Anyanwu is an overall Renaissance Woman. Education: University of California San Diego's (MFA acting) Point Park University (B.A.) Acting :The Pittsburgh Public Theatre, Barrington Stage, Rattlestick Playwrights Theater and The Mark Taper Forum. TV credits: Limitless, Deadbeat, The Affair, Law and Order SVU, Mysteries of Laura, and the upcoming HBO show The Deuce. Producer: National Black Theatre Producing Fellow. 1st Generation Nigerian Project, Co-Producer and Director of New Play Development of Now Africa's Playwrights Festival. She is also on the Literary committee of the Rattlestick Playwrights Theatre. Director: She Gon’ Learn by Lisa Strum for the Emerging Arts Festival, United Solo Festival, National Black Theater. Playwriting: Good Grief, Victory is Ours, and The Homecoming Queen. Good Grief was presented as part of the Rising Circle Collective’s 6th annual Ink Tank and the play also received a workshop production at INTAR Theatre. Most recently, Good Grief won the Inaugural CTG/Humanitas Award and will have its world premiere at the CTG/Kirk Douglas Theatre in the 2016/17 season, was listed in the 2016 annual Kilroy's List, and was a semi-finalist for the Princess Grace Award. Victory is Ours was recently presented as part of the National Black Theatre’s Keep Soul Alive Monday Reading Series. An excerpt of The Homecoming Queen was presented as part of The Fire This Time's Inaugural's Writers group, and most recently had a workshopped reading that was presented at Yale with Page 73 for their summer residency. Anyanwu is also a recipient of the Djerassi Artist Residency as well as SPACE on Ryder Farm and the LCT playwrights residency.
ABOUT SEGAL TALKS:
SEGAL TALKS is a daily one-hour LIVE online conversation from Monday to Friday about making art and making sense in the Time of Corona.
SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.
SEGAL TALKS has been made possible by the support of Susan and Jack Rudin, the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.
See the other archived videos that belong to the Segal Talks livestream series.
ABOUT THE MARTIN E. SEGAL THEATRE CENTER:
Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDE, PEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab Stages, European Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org.
THE SEGAL TEAM
Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra
Senior Assistant Director of Programs: Cory Tamler
Junior Assistant Director of Programs: Kyueun Kim
THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.
About HowlRound TV
HowlRound TV is a global, commons-based peer produced, open access livestreaming and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world's performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and to develop our knowledge commons collectively. Participate in a community of peer organizations revolutionizing the flow of information, knowledge, and access in our field by becoming a producer and co-producing with us. Learn more by going to our participate page. For any other queries, email firstname.lastname@example.org, or call Vijay Mathew at +1 917.686.3185 Signal/WhatsApp. View the video archive of past events.