HERE presents Taylor Talks: Episode 7 with Minor Theater livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 20 April 2021 at 10 a.m. PDT (San Francisco, UTC -7) / 12 p.m. CDT (Chicago, UTC -5) / 1 p.m. EDT (New York, UTC -4).
Join Taylor Mac for a glimpse into the creative process and gain insight into exciting new multidisciplinary work coming out of the HERE Artist Residency Program (HARP). Taylor’s guests span the disciplines of theatre, music, dance, opera, media arts, and more. They speak candidly about their experiences creating fresh, innovative performances in the midst of a global pandemic and racial reckoning.
Minor Theater makes plays in a minor key. With dark humor and goofball precision, we lure you into the tunnels where we feed off pop culture’s sticky undergut. Our plays are written and directed by Julia Jarcho in collaboration with award-winning theater artists Ásta Bennie Hostetter, Jennifer Seastone, and Ben Williams. Shows include PATHETIC (developed at Baryshnikov Arts Center, fall 2018; premiere upcoming, Abrons Arts Center, June 2019); GRIMLY HANDSOME (2013 OBIE, Best New American Play), THE TERRIFYING (Abrons, 2017); NOMADS (dir. by Alice Reagan, Incubator 2014); DREAMLESS LAND (New York City Players/ Abrons, 2011); and American Treasure (13P, 2009). We tell the stories that don’t fit into the stories. We are champions of weird desire.
Taylor Mac (who uses “judy” – lowercase sic – as a gender pronoun) is a playwright, actor, singer-songwriter, performance artist, director and producer. Plays include: Gary, A Sequel to Titus Andronicus (Broadway), A 24-Decade History of Popular Music (shown in its 24-hour entirety at St. Ann’s Warehouse, The Curran Theater, the Ace Theater, the Melbourne Festival, upcoming at the Berliner Festspiele), Hir (Magic Theater, Playwrights Horizon, Steppenwolf and over sixty professional productions), The Walk Across America for Mother Earth (La Mama with the Talking Band), The Lily’s Revenge (HERE, Magic Theater, American Repertory Theater), The Young Ladies Of (HERE, Playmakers Repertory, Manchester’s Library Theater), Red Tide Blooming (PS 122), and The Be(a)st of Taylor Mac (highlights include: The Public Theater, The Sydney Opera House, and Edinburgh Fringe Festival).
Comments
The article is just the start of the conversation—we want to know what you think about this subject, too! HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. Find our full comments policy here