The Social Body and Theatrical Action

Blair Nodelman discusses why theatremakers are well suited to deeply understanding the political machine and work toward dismantling the status quo, creating a more equitable and community-based iteration of governing.

Michael Rohd shares an edited version of a recent talk he gave at the Clarke Forum, Dickinson College, on the role of art and artists today.

Sayda Trujillo talks about white supremacy’s prevalence in clown pedagogy and shares how the invincible spirit of the clown has shaped her, “seeping through every tiny crack possible to make itself present to speak, to laugh, to sing, to bounce, to witness, and to encounter.”

Charlie Peters asks, “What if the role of a director was conceived primarily as one of listening rather than visioning?”