Native theatremakers have been combatting harmful representations of Native people in theatre for many years. Quita Sullivan, Mary Kathryn Nagle, and Betsy Richards discuss their work to push back from within institutions.
In its second and final year, the Artistic Caucus aimed to integrate its collaborative model into the workflows and budgets of four theatres while providing freelance artists with access and compensation. Lauren Halvorsen details the program’s strategies, impact, and significance for a field in need of transformation.
Although theatres depend on front-of-house workers for a smooth audience experience, these employees are often isolated from the rest of the theatre’s staff and subject to mistreatment by patrons. Taylor Hunsberger advocates for organizational changes to promote respect, dignity, and professional development for front of house.
Lauren Halvorsen reports on the origins, development, and learnings of the Artistic Caucus, a collaborative initiative between four regional theatres. By employing a racially and geographically diverse collective of freelance artists to identify new work, scout projects, and facilitate relationships on behalf of all four theatres, the Artistic Caucus seeks to disrupt traditional curatorial practices.
Iris McQuillan-Grace sits down with Kit Ingui, managing director of Long Wharf Theatre, to discuss Kit’s efforts to create a supportive and inclusive work environment by consciously building Long Wharf’s Human Resources (HR) practices.
A conversation about arts organizations connecting with local communities
Thursday 7 October 2021
New Haven, Connecticut
JACK presented ShopTalk with Jacob G. Padrón and Cheyenne Barboza livestreaming on the commons-based, peer-produced HowlRound TV network on Thursday 7 October 2021 at 9 a.m. PDT (San Francisco, UTC -7) / 11 a.m. CDT (Chicago, UTC -5) / 12 p.m. EDT (New York, UTC -4).
Translating An Enemy of the People with Dr. Paul Walsh
23 October 2017
Dr. Paul Walsh of the Yale School of Drama joins us to discuss his work translating Henrik Ibsen's An Enemy of the People for the opening production of the Yale Repertory Theatre's 52nd season.
In this last installment, Irene Loy discusses a character’s drive to renounce their desire, and advocates for diversifying how desire is written for stage and film.
Short Day’s Introduction to Monte Cristo Cottage with Anne G. Morgan
17 April 2017
Anne G. Morgan, Literary Manager and Dramaturg at the Eugene O'Neill Theatre Center, talks about the Monte Cristo Cottage, Eugene O'Neill's childhood summer home, and the setting of two of his plays.
Carey Purcell looks at female artistic leadership of summer companies at New York Stage and Film, the Eugene O'Neill Theater Center, and Williamstown Theatre Festival.
Yale Law School presented a reading of Sliver of a Full Moon, the powerful play written by playwright Mary Kathryn Nagle, from the Cherokee Nation of Oklahoma, and Mohegan Director Madeline Sayetlivestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Tuesday 31 March at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 4:30 p.m. MDT (Denver) / 3:30 p.m. PDT (Los Angeles) / 2:30 p.m. AKDT (Anchorage).
Revisiting the rise-and-fall of theatre during its off-season in New York City, Brian Hashimoto reflects on the historical relevance, uniqueness, and creativity fostered at the Eugene O’Neill Memorial Theatre Center.
The O'Neill series celebrates and investigates the Eugene O'Neill Theater Center's fifty year impact on individual artists and the wider theatrical community.