Dani Snyder-Young reviews Steven Simoncic’s Broken Fences at 16th Street Theater, and highlights the play's message... and how audiences have failed to recieve it.
Navigating the Gray Areas of a Love or Money Industry; Part Three: All you Need is Love
10 November 2013
The key to successful “amateur” theatre is communication. Danielle Rosvally reminds us that outsiders need transparent frame works so the relationship with the company be a success.
After 24 years, Florida Stage — one of the largest LORT theatres dedicated to new and developing works — filed for Chapter 7 bankruptcy. Nancy Barnett, who served as Managing Director, reflects on how the company fell in the wake of the 2007-2008 economic recession.
In Critical Stages in Malawian Contemporary Theatre, Fumbani Innot Phiri Jr. interviews established theatre artists from all backgrounds to explore the precarious journey of theatre in a modern world, define its problems, and find better solutions to sustain performing arts in a generation of motion pictures. Fumbani leads discussions with established performers, directors, and writers who are exploring ways to greet these challenges while their works inspires their communities.
A series of posts about Los Angeles theatre, the values applied to our art and business choices, and how we collectively address the challenges and the need for change.
