Tony Award-winning producer Mara Isaacs discusses how she puts collaboratively creative work in front of national audiences through her producing organization, Octopus Theatricals. This final episode of season two holds hot takes on boards, theatricality, and the connective tissue around artist-centered producing.

What does fiscal sponsorship do for you and your organization? Colleen Hughes, associate director of programming at Fractured Atlas, walks us through the broad array of opportunities they provide. She’ll also shed light on fundraising trends she’s seen with nonprofit organizations throughout the pandemic.

Founder, Ensemble Member, and Former Artistic Director of Lookingglass Theatre Company, David Catlin, shares how their limitless aesthetic showcases their Chicago-based artists across the country. In addition we dive into their unique shared leadership model, their growth and goals for the future, and how tension with your board members can be a good thing.

The job of the facilitator, the logic of shared leadership, and how it all translates to directing a process. Michael Rohd stands at the forefront of ensemble-based practices equipped with questions about how we create the future that we want to be working in socially, civically, and artistically. Join us as we unpack and define what’s next.

Alison Carey, formerly of Oregon Shakespeare Festival, and Mildred Ruiz-Sapp and Steven Sapp, co-founders and artistic directors of UNIVERSES, discuss putting ensemble producers inside a major producing entity and the capacity necessary for things to fall into place.

Rachel Dickstein, Artistic Director of Ripe Time, takes us through her experience with Center Theatre Group’s completion commission for their adaptation of SLEEP. She also spotlights some necessary and helpful relationships with tour presenting partners, the Association of Performing Arts Professionals, as well as champion and friend Diane Rodriguez.

Founding Program Director for the Arts at Doris Duke Charitable Foundation, Olga Garay-English and Jeffrey Mosser discuss the revolutionary process of getting ensemble work in regional theatre spaces including her unprecedented partnership with Andrew W. Mellon Foundation. Other topics include touring models, festival culture, and her experience as an international arts consultant.

From the Ground Up returns to the airwaves with Patricia Garza who shares their experience producing hyper-collaborative and ensemble-based theatre at the regional theatre level. Their work at the Network of Ensemble Theaters, Los Angeles Performance Practice, Center Theatre Group, and artEquity provides significant insights into contemporary theatre-making practices and next steps for the industry.

On this episode of From the Ground Up, Kirk Lynn of Austin, Texas’ Rude Mechanicals talks about their place on the national scene and how they sustain their work as they continue to grow as artists and individuals.

Julia Rhoads of the ensemble dance-theatre company Lucky Plush Productions talks to From the Ground Up about their sustaining efforts, strategies for developing work, and why the messiness of human relationships is such fertile ground for making work.

On this episode of the From the Ground Up Podcast, Ariel Fristoe of Out Of Hand Theatre talks about how their unique games and creation process translates from free experiences for audiences all over Atlanta to corporate training.

In episode twelve of the From the Ground Up Podcast, Jeffrey Mosser talks to Pig Iron Theatre Company co-founder and co-artistic director Quinn Bauriedel about the history and future of the company, which is celebrating its twenty-fifth year.

In this episode of the From the Ground Up Podcast, Jeffrey Mosser talks with Heather Cohn and Corinna Schulenburg of Flux Theatre Ensemble about their Living Ticket model is making transparent how much it costs to make a living wage in the theatre. This episode was recorded live at the TCG Miami 2019 Conference on Friday 7 June 2019.

In this episode of the From the Ground Up Podcast, Jeffrey Mosser discusses devising audience integrated performances with dog & pony dc founder Rachel Grossman and co-conspirator Colin K. Bills.

In this episode of the From the Ground Up Podcast, Jeffrey Mosser and Quita Sullivan of New England Foundation of the Arts talk equity in the grant making process, and share some best practices for artists applying to grants.

In this episode of the From the Ground Up Podcast, Jeffrey Mosser talks to longtime friend and medical doctor Lindsay Puckett about the uncanny similarity in the grant application process for theatremakers and research scientists.

In episode seven of the From the Ground Up Podcast, Jeffrey Mosser talks to Leda Hoffman about her recent appointment of artistic director of Strawdog Theatre Company. This is a two-part interview with Strawdog Theatre Company—you can listen to Part One here.

In episode six of the From the Ground Up podcast, Jeffrey Mosser interviews Stephanie McKee about the history of Junebug Productions, and how they look to "that blue sky" to imagine what is possible for the future.

In episode five of the From the Ground Up podcast, Michaela Petro walks us down her path on becoming an ensemble member of Strawdog Theatre Company, and how she contributes to cultivating their artistic culture.

In this episode of the From the Ground Up Podcast, host Jeffery Mosser talks with Ova Saopeng of TeAda Productions about the importance of telling immigrant and refugee stories.

In episode three of the From the Ground Up podcast, Emily K. Harrison of square product theatre stresses the importance of creating space for radical inquiry by making work that provokes challenging conversations.

In episode two of the From the Ground Up podcast, Coya Paz gives us the history and a peek into the future of Free Street Theater as it enters its fiftieth anniversary.

Jeffrey Mosser introduces a new podcast series, From the Ground Up, about ensemble-based and collaboratively-created theatre companies.

In episode one of the From the Ground Up Podcast, host Jeffrey Mosser speaks with Michael Fields, the Producing Artistic Director of Dell’Arte International, about how the ensemble has grown over the past thirty years.