Cultivating Greater Compassion as an Arts Journalist

Indie theatre reviewer Natalie Sacks outlines how to avoid common mistakes she sees in press invites.

In the second installment, Ronee Penoi defines her role as a Creative Producer and shares lessons she’s learned in her process.

Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.

Amrita Ramanan describes her literary office of the future—a place with no walls, no seperations, and no more viewing dramaturgy as an isolated practice.

Talleri McRae summarizes a breakout session she co-led at the 2017 Theatre Communications Group Annual Conference.

Dramaturg Sara Brookner interviews actor/director Megan Simcox about equitable casting, and why they founded ACTive Roles Theatre Company.

P. Carl interviews playwright Sarah Ruhl on her collection of short essays titled "100 Essays I Don't Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater."